Gradual from Maundy Thursday to the Vigil of Pentecost Image 232

Musicological, Liturgical, and Artistic Annotations for a 16th Century Gradual

Ella Strong Denison Library, Perkins 4

The manuscript Perkins 4, which resides in the Ella Strong Denison Library at Scripps College, is an illuminated Gradual with the propers for the mass of the Roman Catholic Church. The Gradual contains masses for the feasts from Maundy Thursday to the vigil of Pentecost.

The 151 folios are parchment with original foliation in red ink on each page. They are sewn into 17 gatherings of 8 and a final gathering of 7 sheets. Each folio measures 450 x 628 mm and includes up to five staves of Latin text and music in red four-line staves and black plainsong (square) notation. Pages with lengthy rubrics contain fewer lines of music. Many pages contain decorated initials, and nine pages have large historiated initials enclosed by floral borders.

The Gradual still rests inside its original binding, blind stamped leather over heavy boards with four corner bosses reading "Iesus" and "Maria" and one center boss in the shape of a rosette on each cover. The remains of clasps with a monogram "IHS" are on the fore edge of the front cover. Bosses and leather stamps prominently feature fleur-de-lis, hinting at a French royal or noble commission. The final illumination appears to represent the nobility by whom the book was commissioned or for whom it was made.

The style of the art — in the illuminations and the borders — indicates that the Gradual was written in northern France, probably Rouen, in the early 16th century. One page border (folio 123 recto) differs from the others in that it is in a more classical (rather than renaissance) style, possibly indicating Italian influence or a different illuminator.

Such a large Gradual is said to be in Choirbook format, i.e. large enough for many singers to read the music and text at once. A Choirbook would have sat on a lectern in front of the choir in a chapel or church. This gradual shows very little wear in the form of burn marks, wax drips, and dirt from hands. This may be an indication that the Gradual was a Presentation book, intended to be owned as an object (of art) by a member of the nobility or upper echelons of the clergy.

The annotations include full liturgical information, translation of rubrics, musical and liturgical comparisons with the Liber Usualis (abbreviated LU), and descriptions of each page, including descriptions of illuminations.

Written by Charles W. Kamm
Assistant Professor of Music, Scripps College
Director of Choirs, Joint Music Program of Claremont McKenna, Harvey Mudd, Pitzer, and Scripps Colleges

 

Bibliography: C.W. Dutschke and R.H.Rouse, assisted by Mirella Ferrari, Medieval and Renaissance Manuscripts in the Claremont Libraries. University of California Publications: Catalogs and Bibliographies, vol. 3; Medieval and Renaissance Manuscripts in California Libraries, vol.1 (Berkeley, Los Angeles, and London, University of California Press, 1986): 96-97.


Contents
Folio 1, recto Maundy Thursday; historiated initial n, illuminated border  
Folio 25, verso Good Friday 
Folio 54, verso Holy Saturday  
Folio 78, recto Easter Sunday; historiated initial R, illuminated border  
Folio 83, verso Monday after Easter  
Folio 87, verso Tuesday after Easter  
Folio 92, verso Wednesday after Easter  
Folio 96, verso Thursday after Easter  
Folio 101, recto Friday after Easter  
Folio 106, recto Saturday after Easter  
Folio 110, recto First Sunday after Easter; historiated initial Q, illuminated border  
Folio 114, verso Second Sunday after Easter; historiated initial M, illuminated border  
Folio 118, verso Third Sunday after Easter; historiated initial I, illuminated border  
Folio 123, recto Fourth Sunday after Easter; historiated initial C, illuminated border  
Folio 128, verso Fifth Sunday after Easter; historiated initial U, illuminated border  
Folio 134, verso Mass for Rogation Days  
Folio 139, recto The Ascension; historiated initial U, illuminated border  
Folio 144, verso Sunday in the Octave of the Ascension; historiated initial E, illuminated border  
Folio 149, recto Vigil of Pentecost


Additions to the collection

This collection currently consists of all pages of the Perkins 4 manuscript. Future additions will include audio/visual recordings of the music being performed, musical transcriptions, and possibly downloadable PDF files of all or portions of the manuscript. Be sure to check back for updates.

Digital project staff: Charles W. Kamm and Lisa L. Crane, MLIS, Special Collections Digital Projects Coordinator. Digitization done by John Sullivan.