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Gradual from Maundy Thursday to the Vigil of Pentecost home page
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American Occupation of Japan, Voices of the Key Participants
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Antiquities of the Institute for Antiquity and Christianity
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Boynton Collection of Early Claremont
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Bulletin of the Institute for Antiquity and Christianity
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California Water Documents
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Campi Phlegraei, Observations on the Volcanoes of the Two Sicilies
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Ceramics Highlights from the Williamson Gallery
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Chikanobu and Yoshitoshi Woodblock Prints
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City of Claremont History Collection
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Claremont Colleges Photo Archive
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Claremont Colleges Sustainability Archive
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Claremont Discourse Lectures
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Claremont Mormon Studies
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Claremont-UC Undergraduate Research Conference on the European Union
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CODEE Learning Assets Library
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Connie Martinson Talks Books
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Conservation at the Williamson Gallery
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Drucker Archives
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Edward Ellerker Williams Notebook
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Edward Vischer Drawings, Photographs and Other Material
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Faculty Scholarship at The Claremont Colleges
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Fashion Plate Collection, 19th Century
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Francisco Goya Prints
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Gradual from Maundy Thursday to the Vigil of Pentecost
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Growing a Digital Library
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Guides to Manuscript Collections
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Handbook of the Indians of California
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Honnold Library Record
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Interface Journal Archive
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Italian Renaissance Manuscript Collection
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Ken Gonzales-Day Collection
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Larry Oglesby Collection
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Lectures on Applied Psychology and Evaluation Science
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Library Research, Publications and Events at The Claremont Colleges
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Dr. Walter Lindley Scrapbooks
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Mathematical Methods, Models and Applications
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Matrimonial Investigation Records of the San Gabriel Mission
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Murals at Pitzer College
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Murals of Northern Ireland
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N.A. Chandler Gold Rush Era Letters
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Nag Hammadi Archive
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Paintings from the Ruth Chandler Williamson Gallery
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Performance Practice Review
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Pitzer College Art Galleries
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Pueblo and Plains Indian Watercolors
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Rose Institute's California Political History Archive and Database
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Sacred Text Conference Archives
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Samella Lewis Contemporary Art Collection
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Scripps College Architectural Drawings
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Scripps College 19th and 20th Century Photographs
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Theses and Dissertations from The Claremont Colleges
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201.
Perkins 4, folio 100, verso
Thursday after Easter (cont.). Communion "Populus acquisitionis". Versal: large initial "P".
202.
Perkins 4, folio 101, recto
Thursday after Easter (concl.). Communion "Populus acquisitionis" (concl.). Rubrics state "Sixth Day of Feast and Octave of the Passion Introit". Friday after Easter. Introit "Eduxit Dominus in spe". Versal: large initial "E".
203.
Perkins 4, folio 101, verso
Friday after Easter (cont.). Introit "Eduxit Dominus in spe" (cont.). Red "ps" indicates Psalm verse.
204.
Perkins 4, folio 102, recto
Friday after Easter (cont.). Introit "Eduxit Dominus in spe" (concl.). Rubrics indicate that the Gradual antiphon is "Haec dies" [on folio 79]. Red "v" indicates Gradual verse "Benedictus qui venit". Versal: large initial "B".
205.
Perkins 4, folio 102, verso
Friday after Easter (cont.). Gradual verse "Benedictus qui venit" (cont.).
206.
Perkins 4, folio 103, recto
Friday after Easter (cont.). Gradual verse "Benedictus qui venit" (cont.). Alleluia. Red "v" indicates Alleluia verse "Dicite in gentibus". Versals: large initials "A" and "D".
207.
Perkins 4, folio 103, verso
Friday after Easter (cont.). Alleluia verse "Dicite in gentibus" (cont.). Red "off" indicates Offertory "Erit vobis". Versal: large initital "E".
208.
Perkins 4, folio 104, recto
Friday after Easter (cont.). Offertory "Erit vobis" (cont.).
209.
Perkins 4, folio 104, verso
Friday after Easter (cont.). Offertory "Erit vobis" (cont.).
210.
Perkins 4, folio 105, recto
Friday after Easter (cont.). Offertory "Erit vobis" (concl.). Red "co" indicates Communion "Data est mihi". Versal: large initial "D".
211.
Perkins 4, folio 105, verso
Friday after Easter (concl.). Communion "Data est mihi" (concl.).
212.
Perkins 4, folio 106, recto
Saturday after Easter. Rubrics state "Saturday in the Octave of the Passion Introit". Introit "Eduxit Dominus populum suum". Versal: large initial "E".
213.
Perkins 4, folio 106, verso
Saturday after Easter (cont.). Introit "Eduxit Dominus populum suum" (cont.). Red "ps" indicates Psalm verse.
214.
Perkins 4, folio 107, recto
Saturday after Easter (cont.). Introit "Eduxit Dominus populum suum" (concl.). Alleluia. Red "v" indicates Alleluia verse "Haec dies quam fecit Dominus". Versals: large initials "A" and "H".
215.
Perkins 4, folio 107, verso
Saturday after Easter (cont.). Alleluia verse "Haec dies quam fecit Dominus" (concl.). Second Alleluia. Versal: large initial "A".
216.
Perkins 4, folio 108, recto
Saturday after Easter (cont.). Second Alleluia (cont.). Red "v" indicates Alleluia verse "Laudate pueri". Versal: large initial "L".
217.
Perkins 4, folio 108, verso
Saturday after Easter (cont.). Second Alleluia (concl.). Red "off" indicates Offertory "Benedictus qui venit". Versal: large initial "B".
218.
Perkins 4, folio 109, recto
Saturday after Easter (cont.). Offertory "Benedictus qui venit" (concl.).
219.
Perkins 4, folio 109, verso
Saturday after Easter (concl.). Communion "Omnes qui in Christo". Rubrics at end of page state "Sunday in the Octave of the Passion". Versal: large initial "O".
220.
Perkins 4, folio 110, recto
First Sunday after Easter. Introit "Quasimodo geniti infante". Historiated initial "Q" with miniature scene of Thomas touching the spear wound of the risen Christ [in reference to the gospel for the day, John 20:19-31]. Illuminated border of brushed gold with flowers, berries, insects, a snail, and an owl.
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