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1. Performance Practice Review Vol. 14, 2009 Performance Practice Review Vol. 14, 2009 TABLE OF CONTENTS:
Article:
DOROTTYA FABIAN and EITAN ORNOY: "Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach by Early Twentieth-Century Violinists"
Correspondence:
Ross W. Duffin, February 16, 2009
2. Performance Practice Review Vol. 13, 2008 Performance Practice Review Vol. 13, 2008 TABLE OF CONTENTS:
Articles:
CANDACE BAILEY: "The Antebellum 'Piano Girl' in the American South"
ARON EDIDIN: "Consequentialism about Historical Authenticity"
BRUCE HAYNES: "A Correctly-Attributed Fake"
COLIN LAWSON: "'Attractively Packaged but Unripe Fruit'; the UK's Commercialization of Musical History in the 1980s"
ROBERT MARSHALL: "Bach's Tempo Ordinario: A Plaine and Easie Introduction to the System"
TIMOTHY J. MCGEE: "How One Learned to Ornament in Late Sixteenth-Century Italy"
MARC VANSCHEEUWIJCK: "In Search of the Eighteenth-Century 'Violoncello': Antonio Vandini and the Concertos for Viola by Tartini"
PETER WALLS: "On Divided Lines: Instrumentation for Bass Parts in Corelli-Era Sonatas"
Book reviews:
JANE BOWERS: Federico Sardelli, "Vivaldi's Music for Flute and Recorder"
ROLAND JACKSON: Bruce Haynes, "The End of Early Music"
COLIN LAWSON: Eric Hoeprich, "The Clarinet"
RUDOLF RASCH: Ross Duffin, "How Equal Temperament Ruined Harmony (and Why You Should Care)"
Correspondence:
Roland Jackson, February 5, 2008
3. Performance Practice Review Vol. 12, 2007 Performance Practice Review Vol. 12, 2007 TABLE OF CONTENTS:
Article:
JEFFREY SWINKIN: "Keyboard Fingering and Interpretation: A Comparison of Historical and Modern Approaches"
Book reviews:
MAUREEN BUJA: Stanley Boorman, "Studies in the Printing, Publishing and Performance of Music in the 16th Century"
PETER HOLMAN: Roland Jackson, "Performance-Practice: A Dictionary-Guide for Musicians"
MARGARET MURATA: Martha Elliott, "Singing in Style: A Guide to Vocal Performance Practices"
RUDOLF RASCH: Murray Campbell, Clive Greated, and Arnold Myers, "Musical Instruments: History, Technology, and Performance of Instruments of Western Music"
Jonathan Wainwright, Peter Holman, eds., "From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century. Proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St Johan, York, 2-4 July 1999"
PETER WALLS: Jaap Schröder, "Bach's Solo Violin Works: A Performer's Guide"
DANIEL ZULUAGA: Victor Anand Coelho, "Performance on Lute, Guitar and Vihuela: Historical Performance Practice and Interpretation"
4. Performance Practice Review Vol. 11, 2006 Performance Practice Review Vol. 11, 2006 TABLE OF CONTENTS:
Articles:
SARA-ANNE CHURCHILL: "Monsieur de Saint Georges' 'Règles de l'accompagnement': A Translation and Commentary"
ROLAND JACKSON: "It Can 'spoil all the beauty': the Duplicating of Solo Dissonances in Seventeenth-Century Thorough-bass Accompaniment"
5. Performance Practice Review Vol. 10, no. 2, Fall 1997 Performance Practice Review Vol. 10, no. 2, Fall 1997 TABLE OF CONTENTS:
Editorial:
ROLAND JACKSON: "From PPR to PPO: New Directions, New Challenges"
Articles:
ROBERT ADELSON: "Reading between the (Ledger) Lines: Performing Mozart's Music for the Basset Clarinet"
EDMUND A. BOWLES: "The Timpani and Their Performance (Fifteenth to Twentieth Centuries): an Overview"
ROGER PENSOM: "Performing the Medieval Lyric: a Metrical-Accentual Approach"
MURRAY C. BRADSHAW: "Performance Practice of the 'Falsobordone'"
KEVIN N. MOLL: "Realizing Partial Signatures around 1400: Liebert's 'Credo' as a Test Case"
Book Review:
EVA and PAUL BADURA-SKODA: Robin Stowell, "Performing Beethoven"
PPR (1988-1997): Résumé and Index
6. Performance Practice Review Vol. 10, no.1, Spring 1997 Performance Practice Review Vol. 10, no.1, Spring 1997 TABLE OF CONTENTS:
Editorial:
ROLAND JACKSON: "Authenticity or Authenticities? - Performance Practice and the Mainstream"
Articles:
RAYMOND HOLDEN: "Richard Strauss: the 'Don Juan' Recordings"
SANDRA P. ROSENBLUM: "Concerning Articulation on Keyboard Instruments: Aspects from from the Renaissance to the Present"
BRUCE HAYNES: "'Tu ru' or Not 'Tu ru': Paired Syllables and Unequal Tonguing Patterns on Woodwinds in the 17th and 18th Centuries"
JAMES TYLER: "The Guitar and Its Performance from the Fifteenth to Eighteenth Centuries"
PAUL SPARKS: "Guitar Performance in the 19th and 20th Centuries"
THÉRÈSE DE GOEDE-KLINKHAMER: "'Del suonare sopra il basso': Concerning the Realization of Early 17th Century Italian Unfigured Basses"
Book Review:
MALCOLM S. COLE: László Somfai, "The Keyboard Sonatas of Joseph Haydn: Instruments and Performance Practice, Genres and Styles"
Record Review:
MARISCHKA OLECH-HOPCROFT: Trevor Stephenson, "Wolfgang Amadeus Mozart: Music for Solo Keyboard"
Contributors
7. Performance Practice Review Vol. 9, no. 2, Fall 1996 Performance Practice Review Vol. 9, no. 2, Fall 1996 TABLE OF CONTENTS:
Articles:
EDWARD HARSH: "With Intent to Stage: Editing Kurt Weill's Music for the Theater"
ROBERT TOFT: "Action and Singing in Late 18th- and Early 19th Century England"
DOUGLAS LEEDY: "Historical and Regional Pronunciations in Vocal Performance"
JAMES TYLER and PAUL SPARKS: "The Mandolin: Its Structure and Performance (Sixteenth to Twentieth Centuries)"
DAVID M. GUION: "Performing on the Trombone: a Chronological Survey"
Book Reviews:
BARTON HUDSON: Richard Hudson, "Stolen Time: The History of Tempo Rubato"
CHARLOTTE MATTAX: John S. Powell, trans. and ed., "Monsieur de Saint Lambert: A New Treatise on Accompaniment"
Record Review:
ANNETTE OTTERSTEDT: "Les Voix Humanes, Voiles Esgales--Sainte Colombe, Marais, Couperin"
Contributors
Performance Practice Bibliography 1995-1996
8. Performance Practice Review Vol. 9, no. 1, Spring 1996 Performance Practice Review Vol. 9, no. 1, Spring 1996 TABLE OF CONTENTS:
Editorials:
ROLAND JACKSON: "Invoking a Past or Imposing a Present? Two Views of Performance Practice"
JOSÉ A. BOWEN: "Performance Practice versus Performance Analysis: Why Should Performers Study Performance?"
ROLAND JACKSON: "José Bowen's Essay: a Few Afterthoughts"
Articles:
TIMOTHY J. MCGEE: "'Ornamental' Neumes and Early Notation"
DESMOND HUNTER: "The Application of (Ornamental) Strokes in English Virginal Music: a Brief Chronological Survey"
MARC VANSCHEEUWIJCK: "The Baroque Cello and Its Performance"
ANATOLE LEIKIN: "The Performance of Scriabin's Piano Music: Evidence from the Piano Rolls"
MARK LINDLEY: "Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach)"
Contributors
Communication
Correction
9. Performance Practice Review Vol. 8, no. 2, Fall 1995 Performance Practice Review Vol. 8, no. 2, Fall 1995 TABLE OF CONTENTS:
Articles:
NOEL O'REGAN: "The Performance of Roman Sacred Polyphonic Music in the Late Sixteenth Century and Early Seventeenth Centuries: Evidence from Archival Sources"
SUZANNE COURT: "The Role of the Lute in Sixteenth-Century Consorts: Evidence from Terzi's Intabulations"
Book Review:
DAVID SCHULENBERG: John Butt, "Music Education and the Art of Performance in the German Baroque"
Contributors
Performance Practice Bibliography 1994-1995
10. Performance Practice Review Vol. 8, no. 2, Spring 1995 Performance Practice Review Vol. 8, no. 2, Spring 1995 TABLE OF CONTENTS:
Editorial:
ROLAND JACKSON: "Performance Practice and Musical Expressivity"
Articles:
MURRAY C. BRADSHAW: "Giovanni Luca Conforti and Vocal Embellishment: from Formula to Artful Improvisation"
WANDA R. GRIFFITHS: "Brossard and the Performance of Jaquet de La Guerre's 'Céphale et Procris'"
MARY CYR: "Violin Playing in Late Seventeenth-Century England: Baltzar, Matteis, and Purcell"
DWIGHT MANNING: "Woodwind Vibrato from the Eighteenth Century to the Present"
MARC VANSCHEEUWIJCK: "Musical Performance at Petronio in Bologna: a Brief History"
INGEBORG HARPER: "Musical Venues in Vienna, Seventeenth Century to the Present"
Book Reviews:
JOHN MOREHEN: David Wultsan, "Tudor Music"
WOLFGANG AUHAGEN: Klaus Miehling, "Das Tempo in der Musik von Barock und Vorklassik. Die Antwort der Quellen auf ein umstrittenes Thema"
SANDRA P. ROSENBLUM: David Rowland, "A History of Pianoforte Pedaling"
Contributors
11. Performance Practice Review Vol. 7, no. 2, Fall 1994 Performance Practice Review Vol. 7, no. 2, Fall 1994 TABLE OF CONTENTS:
In Memoriam: Frederick Neumann:
HOMER RUDOLF: "Frederick Neumann (1907-1994), Multi-Faceted Musician and Scholar"
ROLAND JACKSON: "Frederick Neumann: Challenger of Held Opinion"
ALBERT COHEN: "Frederick Neumann's Final Book - an Appraisal"
Articles:
DAVID FULLER: "Last Words on Inequality and Overdotting: a Review of Stephen Hefling's Book"
STEVEN E. HEFLING: "Some Thoughts about 'Last Words on Overdotting'"
ERICH SCHWANDT: "Stephen Hefling's Book: Another View"
DENZIL WRAIGHT and CHRISTOPHER STEMBRIDGE: "Italian Split-Keyed Instruments with Fewer than Nineteen Divisions to the Octave"
MARY CYR: "Tempo Gradations in Purcell's Sonatas"
ROBERT TOFT: "The Expressive Pause: Punctuation, Rests, and Breathing in England 1770-1850"
JUDY LOCHHEAD: "Performance Practice in the Indeterminate Works of John Cage"
Book Reviews:
KEITH POLK: Beth Bullard, trans. and ed., "Musica getutscht: a Treatise on Musical Instruments (1511) by Sebastian Virdung"
JOSÉ A. BOWEN: Bayy Millington and Stewart Spencer, "Wagner in Performance"
Contributors
Performance Practice Bibliography (1993)
12. Performance Practice Review Vol. 7, no. 1, Spring 1994 Performance Practice Review Vol. 7, no. 1, Spring 1994 TABLE OF CONTENTS:
Articles:
ROBERT TOFT: "The Expressive Pause: Punctuation, Rests, and Breathing in England, 1770-1850"
SANDRA P. ROSENBLUM: "The Uses of Rubato in Music, Eighteenth to Twentieth Centuries"
IAN WOODFIELD: "'Music of forty several parts': a Song for the Creation of Princes"
JANE BOWERS: "Tromlitz on Playing the Flute: a Résumé"
DAVID POLAN: "The 'Eingang' in Early Beethoven"
MARK LINDLEY: "Tuning Renaissance and Baroque Instruments: Some Guidelines"
Book Reviews:
MALCOLM COLE: Martha Novak Clinkscale's "Makers of the Piano, 1700-1820"
DOUGLAS LEEDY: Robert Philip, "Early Recordings and Musical Style: Changing Tastes in Instrumental Performance, 1900-1950"
Contributors
Corrections
13. Performance Practice Review Vol. 6, no. 2, Fall 1993 Performance Practice Review Vol. 6, no. 2, Fall 1993 TABLE OF CONTENTS:
In Memoriam: Howard Mayer Brown:
ROLAND JACKSON: "Pathfinder in Performance Practice: Howard Mayer Brown, 1930-1993"
MARK LINDLEY: "Howard Mayer Brown: a Personal Rememberance"
Articles:
JENNIFER NEVILLE: "The Performance of Fifteenth-Century Italian 'Balli': Evidence from the Pythagorean Ratios"
SUSAN G. SANDMAN: "Interpretive Left-Hand Fingerings for Lute in Nicolas Vallet's 'Le Secret des Muses' (1615)"
MARGARET SEARES: "Mersenne on Vocal Diminutions"
OLGA TERMINI: "The Role of Diction and Gesture in Italian Baroque Opera"
SANDRA P. ROSENBLUM: "Pedaling the Piano: a Brief Survey from the Eighteenth Century to the Present"
Book Review:
STANLEY BOORMAN: Robert Toft, "Aural Images of Lost Traditions: Sharps and Flats in the Sixteenth Century"
Record Reviews:
MARIANNE RICHERT PFAU: Thomas Binkley and Schola Cantorum Basiliensis, "Adam de la Halle (fl. 1280): Le jeu de Robin et Marion"
MARIANNE RICHERT PFAU: Thomas Binkley and Early Music Institute, Indiana University School of Music, "The Lauds of Saint Ursula: Hildegard of Bingen (1098-1179)"
Contributors
Performance Practice Bibliography (1992)
14. Performance Practice Review Vol. 6, no. 1, Spring 1993 Performance Practice Review Vol. 6, no. 1, Spring 1993 TABLE OF CONTENTS:
Articles:
TIMOTHY J. MCGEE: "Singing Without Text"
CHRISTOPHER STEMBRIDGE: "The 'Cimbalo cromatico' and Other Italian Keyboard Instruments with Nineteen or More Divisions to the Octave (Surviving Specimens and Documentary Evidence)"
DONALD C. SANDERS: "Vocal Ornaments in Durante's 'Arie devote' (1608)"
JOSÉ A. BOWEN: "Mendelssohn, Berlioz, and Wagner as Conductors: the Origins of the Ideal of 'Fidelity to the Composer'"
CAROL A. HESS: "Enrique Granados and Modern Piano Technique"
Reviews of Books:
DAVID LEDBETTER: Patrick J. Rogers, "Continuo Realization in Handel's Vocal Music"
MALCOLM S. COLE: R. Larry Todd and Peter Williams, "Perspectives on Mozart Performance"
Contributors
15. Performance Practice Review Vol. 5, no. 2, Fall 1992 Performance Practice Review Vol. 5, no. 2, Fall 1992 TABLE OF CONTENTS:
Articles:
DESMOND HUNTER: "The Implications of Fingering Indications in Virginalist Sources: Some Thoughts for Further Study"
DEBORAH KAUFFMAN: "'Portamento' in Romantic Opera"
ROBERT BATES, MARK LINDLEY, and KIMBERLY MARSHALL: "The Stanford Eclectic Tunings"
Book Review:
KIMBERLY MARSHALL: John Butt, "Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach"
Contributors
Performance Practice Bibliography (1991)
Correction
RICHARD LOUCKS: "Was the 'Well-Tempered Clavier' Performable on a Fretted Clavichord?"
16. Performance Practice Review Vol. 5, no. 1, Spring 1992 Performance Practice Review Vol. 5, no. 1, Spring 1992 TABLE OF CONTENTS:
Articles:
CHRISTOPHER STEMBRIDGE: "Music for the 'Cimbalo Cromatico' and Other Split-Keyed Instruments in Seventeenth-Century Italy"
RICHARD LOUCKS: "Was the 'Well-Tempered Clavier' Performable on a Fretted Clavichord?"
FREDERICK K. GABLE: "Some Observations Concerning Baroque and Modern Vibrato"
Book Reviews:
DOUGLAS LEEDY: Harold Copeman, "Singing in Latin, or, Pronunciation explor'd"
PATRICK J. ROGERS: Laurence Dreyfus, "Bach's Continuo Group: Players and Practices in His Vocal Works"
RODNEY SLATFORD: Bertram Turetzky, "The Contemporary Contrabass"
Contributors
Corrections
17. Performance Practice Review, Vol. 4, no. 2, Fall 1991 Performance Practice Review, Vol. 4, no. 2, Fall 1991 TABLE OF CONTENTS:
Editorial:
ROLAND JACKSON: "Performance Practice and Its Critics - the Debate Goes On"
Articles:
CHARLES JACOBS: "Ornamentation in Spanish Renaissance Vocal Music"
LEWIS E. PETERMAN, JR.: "Michel Blavet's Breathing Marks: a Rare Source for Musical Phrasing in Eighteenth-Century France"
Book Reviews:
JAMES HAAR: George Houle, "'Doulce Memoire': a Study of Performance Practices"
DONALD GILL: James Tyler and Paul Sparks, "The Early Mandolin: the Mandolino and the Neapolitan Mandoline"
GEORGE HOULE: Peter Le Huray, "Authenticity in Performance: Eighteenth-Century Case Studies"
MALCOLM S. COLE: Neal Zaslaw, "Mozart's Symphonies: Context, Performance Practice, Reception, Communication"
Contributors
Performance Practice Bibliography (1990)
18. Performance Practice Review Vol. 4, no. 1, Spring 1991 Performance Practice Review Vol. 4, no. 1, Spring 1991 TABLE OF CONTENTS:
Articles:
JOSHUA RIFKIN: "More (and Less) on Bach's Orchestra"
FREDERICK NEUMANN: "The Vibrato Controversy"
NEAL ZASLAW: "Vibrato in Eighteenth-Century Orchestras"
LUKE JENSEN: "The Emergence of the Modern Conductor in 19th-Century Italian Opera"
Reviews of Books:
TIMOTHY J. MCGEE: Howard M. Brown and Stanley Sadie, "Performance Practice: Music before 1600"
GEORGE HOULE: Howard M. Brown and Stanley Sadie, "Performance Practice: Music after 1600"
ALBERT R. RICE: "Performance Practice: Music after 1600"
FRANK TRAFICANTE: Deborah A. Teplow, "Performance Practice and Technique in Marin Marais' Pièces de viole"
PHILIP RUSSOM: George J. Buelow, "Thorough-Bass Accompaniment according to Johann David Heinichen"
ERICH SCHWANDT: Frederick Neumann, "New Essays on Performance Practice"
THOMAS BAUMAN: Jean-Pierre Marty, "The Tempo Indications of Mozart"
BARRY COOPER: William S. Newman, "Beethoven on Beethoven: Playing His Piano Music His Way"
Contributors
19. Performance Practice Review Vol. 3, no. 2, Fall 1990 Performance Practice Review Vol. 3, no. 2, Fall 1990 TABLE OF CONTENTS:
Editorial:
ROLAND JACKSON: "Performance Practice: a Manifestation of Our Time?"
Articles:
MARTHA FARAHAT: "Villanescas of the Virtuosi: Lasso and the 'Commedia dell'arte'"
SANDRA MANGSEN: "The Trio Sonata in Pre-Corellian Prints: When does 3=4?"
DEBORAH C. LOFTIS: "Southern Harmony Singing: a Tradition of Shape-Note Practice"
Book Review:
MALCOLM S. COLE: Frederick Neumann, "Ornamentation and Improvisation in Mozart"
Announcements
Contributors
Performance Practice Bibliography (1989)
20. Performance Practice Review Vol. 3, no. 1, Spring 1990 Performance Practice Review Vol. 3, no. 1, Spring 1990 TABLE OF CONTENTS:
Articles:
MARTIN CHUSID: "A Letter by the Composer about 'Giovanni d'Arco' and Some Remarks on the Division of Musical Direction in Verdi's Day"
ERICH SCHWANDT: "Questions Concerning the Edition of the 'Goldberg Variations' in the 'Neue Bach Ausgabe'"
NANCY M. RAABE: "Tempo in Mahler as Recollected by Natalie Bauer-Lechner"
Reviews of Books:
DON HARRÁN: Karol Berger, "'Musica ficta': Theories of Accidental Inflections in Vocal Polyphony from Marchetto de Padova to Gioseffo Zarlino"
H. WILEY WITCHCOCK: Claude V. Palisca, "The Florentine Camerata: Documentary Studies and Translations"
JAMES TYLER: Nigel North, "Continuo Playing on the Lute, Archlute and Theorbo"
KIMBERLY MARSHALL: George Stauffer and Ernest May, "J.S. Bach as Organist: His Instruments, Music, and Performance Practices"
A. PETER BROWN: Sandra P. Rosenblum, "Performance Practice in Classic Piano Music"
PHILIP LIESON MILLER: Lucie Manén, "Bel canto; the Teaching of the Classical Italian Songs Schools, Its Decline and Restoration"
Review of a Periodical:
GEORGE HOULE: "Historical Performance," the Journal of Early Music America
Review of a Recording:
E. EUGENE HELM: Joan Benson, "Clavichord Music of Johann Kuhnau and C.P.E. Bach"
Communications
Contributors
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