On the back of a frying pan, possibly cast-iron, the eyebrows nose, and mouth of a face are visible.
"The skillet references African American history: cooking with a cast iron skillet and washing clothing in a wooden washtub are parts of a Black...
Sculpture; Art metal-work; Skillets; Face; Symbolism
The plumb bob, similar in shape to a bee and a woman's figure, reappears as a motif in this series. Macko used rubber stamps, combined with brilliant blue aquatint and multi-plate etching to create the composition of reoccurring images of bees, bee...
The plumb bob, similar in shape to a bee and a woman's figure, reappears as a motif in this series. Macko used rubber stamps, combined with brilliant blue aquatint and multi-plate etching to create the composition of reoccurring images of bees, bee...
Art, Modern-21st century; Digital art; Plumb bobs; Beehives; Roses; Bees
Produced during Turk's residency at the McColl Center for Visual Arts, the drawing served as preparation for the 2003 Ruth Chandler Williamson Gallery's exhibition, "Matter and Matrix." The artist received a B.A. in International Relations from...
Produced during Turk's residency at the McColl Center for Visual Arts, the drawing served as preparation for the 2003 Ruth Chandler Williamson Gallery's exhibition, "Matter and Matrix." The artist received a B.A. in International Relations from...
On a brightly colored background, a black woman wearing a white dress, white hat and round glasses stands with her hands folded and a purse on her arm. She appears to be standing at the edge of a forest. Text frames the image. This is the same...
People walking up and sitting on the steps to the British Museum seem not to notice the tall female figure in a long black dress standing facing them. The figure is most likely Weems. The stairs cut midway through the image on a horizontal line....
Black-and-white photography; Women artists, Black; Women, Black, in art; Columns; Stairs; Dresses; British Museum
A woman in a white dress and scarf bends over holding a ball placed in a shelf under a full dish rack. Behind the objects is a wood wall that looks to have headless and partially nude female figures with arms outstretched painted on it.
In this series, the plumb bob, similar in shape to the bee and a woman's figure, reappears as a motif. Macko used rubber stamps, combined with brilliant blue aquatint and multi-plate etching to create the composition of reoccuring images of bees,...
Produced during Turk's residency at the McColl Center for Visual Arts, the drawing served as preparation for the 2003 Ruth Chandler Williamson Gallery's exhibition, "Matter and Matrix." The artist received a B.A. in International Relations from...
Art; Vertebrae; Anatomy, Artistic
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