People walking up and sitting on the steps to the British Museum seem not to notice the tall female figure in a long black dress standing facing them. The figure is most likely Weems. The stairs cut midway through the image on a horizontal line....
Black-and-white photography; Women artists, Black; Women, Black, in art; Columns; Stairs; Dresses; British Museum
From the series, Last Light: Antarctic Photographs, taken when Campbell traveled to the Ross Sea region of Antarctica. "The series makes allusion to the interconnectedness of natural systems and human intervention and complicates the simplistic...
Black-and-white photography; Arctic regions; Ecology; Ross Sea (Antarctica); Snow; Ice
Produced during Turk's residency at the McColl Center for Visual Arts, the drawing served as preparation for the 2003 Ruth Chandler Williamson Gallery's exhibition, "Matter and Matrix." The artist received a B.A. in International Relations from...
Produced during Turk's residency at the McColl Center for Visual Arts, the drawing served as preparation for the 2003 Ruth Chandler Williamson Gallery's exhibition, "Matter and Matrix." The artist received a B.A. in International Relations from...
The "Africanized stylization" of three figures in an arched frame and the title given by the artist reflect the quality of a Christian icon and image of Madonna and child. In rendition, there are three figures with the female child wearing a rebozo...
Linoleum block-printing; Mary, Blessed Virgin, Saint-Art; Women; Children
On the back of a frying pan, possibly cast-iron, the eyebrows nose, and mouth of a face are visible.
"The skillet references African American history: cooking with a cast iron skillet and washing clothing in a wooden washtub are parts of a Black...
Sculpture; Art metal-work; Skillets; Face; Symbolism
On a brightly colored background, a black woman wearing a white dress, white hat and round glasses stands with her hands folded and a purse on her arm. She appears to be standing at the edge of a forest. Text frames the image. This is the same...
A woman in a white dress and scarf bends over holding a ball placed in a shelf under a full dish rack. Behind the objects is a wood wall that looks to have headless and partially nude female figures with arms outstretched painted on it.
Produced during Turk's residency at the McColl Center for Visual Arts, the drawing served as preparation for the 2003 Ruth Chandler Williamson Gallery's exhibition, "Matter and Matrix." The artist received a B.A. in International Relations from...
Art; Vertebrae; Anatomy, Artistic
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