From the series, Last Light: Antarctic Photographs, taken when Campbell traveled to the Ross Sea region of Antarctica. "The series makes allusion to the interconnectedness of natural systems and human intervention and complicates the simplistic...
Black-and-white photography; Arctic regions; Ecology; Ross Sea (Antarctica); Snow; Ice; Women photographers
A driver in sunglasses and hat smiles from the passenger seat of a limousine. This black and white photograph is part of the series, The Beverly Hills Essay 1975.
Black-and-white photography; Limousines; Professional motor vehicle drivers; Photography-California
A close-up view of the ephedrine plant, which has various naturopathic properties. The photograph is an ambrotype: a 19th-century photographic technology involving printing on glass, producing an original (positive) image. From the series LA...
Black-and-white photography; Women photographers; California-Pictorial works; Photography-California; Nature
A series of photographs of a female nude walking while carrying a jug, stopping, putting the jug on the ground and walking away. A second series of photographs of a female nude standing with a jug on her shoulder, putting the jug down and walking...
Motion study; Female nude in art; Nudes (representations); Collotype; Photography-California
A close-up photograph of a morning glory plant. The photograph is an ambrotype, a 19th-century photographic technology that produces an original positive. From the series LA Botanical, 2006.
Nature; Black-and-white photography; Women photographers; Still-life photography
Portrait of the dancer Ruth St. Denis, wearing an elaborate costume. One in a series of photographs of St. Denis taken by Weston, this image presents her as a delicate and picturesque icon. Weston's work before 1920 often features both a soft...
Photographic postcard of Ruth St. Denis. "The Incense" was an alluring piece that combined a series of slow, rhythmic steps with mesmerizingly fast arm movements. Though St. Denis entered bearing an incense try, as pictured here, she proceeded to...
Photograph of a man and woman wearing rustic costumes and surrounded by basketry and other domestic objects. The Fisherman’s Return is one half of a series by Cameron; the other half is the Fisherman’s Farewell, of the same year.
Portrait photography; Costume; Fishers; Fishers' spouses; Women photographers; Albumen paper print
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