William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
Play-bill for the one performance of "The First Franciscans" by Poel in celebration of the seventh Franciscan centenary. There is a description of the play, some quotes about St. Francis of Assisi, and information about where to purchase tickets.
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Poel, William, 1852-1934; Independent Theatre Society; Grein, J. T. (James Thomas), 1862-1935; New Shakspere Society (Great Britain); Webster, John, 1580?-1625? Duchess of Malfi
Playbill for Webster's tragedy "The Duchess of Malfi," directed by Grein and re-arranged for the modern stage by Poel. The playbill lists the acts, the actors, the various people working behind the scenes, and also includes a small description of...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Poel, William, 1852-1934; Elizabethan Stage Society; Shakespeare, William, 1564-1616. Two gentlemen of Verona
Playbill for Shakespeare's play, "The Two Gentlemen of Verona." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the costumes, the music and the pronounciation.
Playbill for Beaumont and Fletcher's comedy, "The Coxcomb." The playbill includes the names of the actors as well as some information about aspects of the performance such as the authorship, the revival, the music, and the costumes.
Arden of Feversham; Theater programs; Edward III (Drama); Shakespeare, William, 1564-1616; Poel, William, 1852-1934; Elizabethan Stage Society; St. George's Hall (London, England)
Program from the presentation of scenes from the two plays Arden of Feversham and Edward III, which are both sometimes attributed to William Shakespeare. The performance is directed by William Poel and produced by the Elizabethan Stage Society. The...
Barry writes to Sowdon apologizing for not replying to the letter sooner. Barry congratulates Sowdon success in acquiring the manger's friendship and asks for Sowdon's opinion on a second Playhouse in Dublin and whether he's still on friendly terms...
In an unfinished letter, Sowdon expresses his dissatisfaction with Barry's behavior as a member of the theatre company, including his failure to inform Sowdon and deputy manager Mr. Victor in a timely manner of what plays shall be performed,...
Barbarina Wilmot (later Lady Dacre) writes from her sickbed to Mrs. Bartley, George Bartley's wife, to congratulate her on her performance in "Ina" and express her regrets in being forced to close the play. [George Bartley's commentary on Ina:...
Booth, Edwin, 1833-1893; Players (Club); Booth, Junius Brutus, 1796-1852; Booth, John Wilkes, 1838-1865; Winter, William, 1836-1917; Benedict, E. C. (Elias Cornelius), 1834-1920
Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...
University of Oxford; Recitations; Combe, Cecilia, 1794-1868; Letters
Sarah Siddons writes Elizabeth Simon (Vernon), Lady Harcourt, discussing arrangements for readings at Oxford and asking advice for lodging. Siddons mentions her daughter, Cecilia. The pages are torn.
Sarah Siddons writes her son, Harry (Henry) Siddons, regarding Henry's wife's loss of clothes and ornaments in the theatre fire, investments, a promise of a loan, her own need to move socially, and not living for one's self alone. The letter...
Thomas Moore writes from Sloperton Cottage, Devizes in Wiltshire to Sarah Siddons saying he hopes to see her at the Salisbury Music meeting. He expresses his regard for the "ballads" sent to him. The letter contains notations by a second hand. ...
Sarah Siddons writes her nephew, Horace Twiss, a lawyer, asking him not to take further action on the Galindo case. She describes the effect it has on her and sends a gift to Twiss' mother, Frances. Page 4 is a self-cover. The letter contains...
Joanna Baillie, author and playwright, writes from Hampstead to Henry Siddons, son of Sarah Siddons, regarding the production of her play "The Beacon" at the Edinburgh theatre, the choice of "glees" for it, and an affectionate message to Sarah...
Benjamin C. Griffinhoofe writes Mrs. Henry Siddons, daughter-in-law of Sarah Siddons, sending condolences upon hearing of Harriet Siddons' husband, Henry's death. Page 4 is a self-cover with a seal and the page 4 scan was rotated 90 degrees...
