Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
The membership form, addressed to Poel, for The Elizabethan Stage Society explains why they were founded and what they are trying to accomplish (a return to play acting with the sole focus on Shakespeare's words, not the scenery.) The Society...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Sarah Siddons writes an unnamed poet expressing disappointment in not receiving sonnets. She gives thanks and affection and suggests looking at "this prettiest of all pretty places." The unnamed poet could possibly be Anna Seward, Swan of...
Fanny Kemble writes Reverend William Henry Furness asking him to direct his attention to the "game which is being played" against her and the manner in which her children are "being strained from the poor hold" she has upon them. She discusses the...
Kemble, Stephen, 1758-1822; Authorship; Drury Lane Theatre; Farce; Letters
S. Kemble writes James Thomson saying that Thomson's letter with his prologue has been received. Kemble comments on the prologue. Page 2 is a self-cover. The page 2 scan was rotated 90 degrees clockwise. A separate letter signed S. Kemble dated...
Kean, Charles John, 1811?-1868; Davis, E. D., 1806-1887; Scheduling; Holidays; Performances; Letters; Envelopes (Stationery); Postmarks
Charles Kean writes from Paris to E. D. Davis giving him his schedule and explaining why he cannot accept the two week engagement as Lent intervenes. The letter's envelope contains postmarks. The scan of the envelope back was rotated 180 degrees.
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
Catherine Clive writes to a Mrs. Racket about the "strange treatment" she received from Mrs. Eva Maria Garrick after the death of her husband David Garrick. Clive asks Mrs. Racket to inquire as to why Mrs. Garrick has not called upon her for the...
Irving, writing from Romford, England, lists his reasons for leaving Thacker & Co., explains why he entered the acting profession, and describes his first roles. The letter cross-written on one page: page 5 is written horizontally across page 1.
Letter from London to Sir John Martin-Harvey, regarding Irving's father's lack of bequest to Loveday and complimenting Martin-Harvey's performance in "Breed of Trechams." Written on black-bordered stationery [most likely in mourning for Irving's...
Pinero, Arthur Wing, Sir, 1855-1934; Letters; Irving, H. B. (Henry Brodribb), 1870-1919
Irving thanks Pinero for his sympathy, writing 8 days after the drowning of Irving's elder brother Laurence. Written on stationery from the King's Arms Hotel, Oxford. [Information taken from file folder. This letter is a possible response to...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
In an undated letter written to Archer in London, Lawrence discusses the evolution of the physical characteristics of the European playhouse. [This letter may be the enclosure referred to in http://ccdl.libraries.claremont.edu/u?/phl,852.]
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924; National Gallery of Ireland; Lane, Hugh Percy, Sir, 1875-1915; Lusitania (Steamship); Gregory, Lady, 1852-1932
Writing from London, Lawrence asks Archer to return the manuscript of "Private Theatre" and discusses the death of Sir Hugh Lane, the nephew of Lady Gregory and director of the National Gallery of Ireland, who had been aboard the Lusitania [which...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence thanks Archer for the offer of a loan but explains that the grant he is now receiving from the Newspaper Press Fund will suffice. He discusses Archer's revisions to his manuscript concerning the Elizabethan playhouse...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence asks if Archer has received his last letter and describes his revisions to the manuscript. He requests Archer's opinion on what prints to include and asks him to communicate with him before revising the manuscript...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence tells Archer about a particular paragraph that is innacurate. Lawrence focuses on the paragraph concerning the Whitefriars and Beaumont & Fletcher's plays. He gives evidence of why the paragraph should be fix and shows...
Lawrence, William J. (William John), 1862-1940; Letters
Lawrence turns down Starker's request to shorten his article for the "Dublin" and complains about one of his other article's treatment at the hands of Sidney Glover, the editor of "Apollo." He looks forward to leaving London for the less expensive...
