Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
J. P. Kemble writes Woodfall about the disapproving behavior of George Colman, the Younger, at Kemble's farce production. Kemble recounts his own favors to Colman and Colman's father, and his disappointment at Colman's unnecessary actions. The...
M. Macklin writes her father from London asking that he attend her benefit. She claims that she would be the joke of both theatres, particularly Covent Garden, if he did not attend. In the post script, she updates her father on Woodward House and...
Poel, William, 1852-1934; Boas, Frederick S. (Frederick Samuel), 1862-1957; Letters; Sun Life Assurance Company of Canada; Annuities; Marlowe, Christopher, 1564-1593. Doctor Faustus; Marlowe, Christopher, 1564-1593. Jew of Malta
Poel thanks Boas for sending him a copy of the edition of "Dr. Faustus" edited by Boas. He plans to give a reading or performance of another of Marlowe's plays, "The Jew of Malta," and criticizes the interpretation of a recent production of it....
Poel critiques John Barrymore's performance as Hamlet for his nephew Reginald Pole, who had acted alongside Barrymore in Hamlet. He praises how "he talked his part" but criticizes his lack of emotion and overuse of ""the Macready pause."" A...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Playbill for Shakespeare's play, "Twelfth Night," to be performed in St. George's hall. The playbill includes the names of the actors and musicians, information about The Elizabethan stage Society, as well as some information about aspects of the...
Arden of Feversham; Theater programs; Edward III (Drama); Shakespeare, William, 1564-1616; Poel, William, 1852-1934; Elizabethan Stage Society; St. George's Hall (London, England)
Program from the presentation of scenes from the two plays Arden of Feversham and Edward III, which are both sometimes attributed to William Shakespeare. The performance is directed by William Poel and produced by the Elizabethan Stage Society. The...
Barry writes to Sowdon expressing his concern for Sowdon's health and then goes on to say how he's more inclinded to play at Covent Garden than at Drury Lane for reasons he will tell Sowdon in person.
Barry implores Sowdon for more time to raise funds, as he has only come up with 200 pounds, and writes that plans to come to Sowdon's lodgings the following morning. The third page of the letter is blank.
Bartley asks that the correspondent let him borrow a relic from his "former acting days" so that he may use it in his upcoming performance before royalty at Windsor Castle. He regrets not being able to call upon him that morning and offers a box...
Booth, Edwin, 1833-1893; Irving, Henry, Sir, 1838-1905; Letters; Lyceum Theatre (New York, N.Y.)
Edwin Booth writes of his visit to the invalid Sallie and his recent successful theatrical engagement at the Walnut. He hopes to act at the Lyceum Theatre in New York soon with Henry Irving. Written from Baltimore on Mount Vernon Hotel stationery.
Booth, Edwin, 1833-1893; Players (Club); Booth, Junius Brutus, 1796-1852; Booth, John Wilkes, 1838-1865; Winter, William, 1836-1917; Benedict, E. C. (Elias Cornelius), 1834-1920
Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...
Sarah Siddons writes Mrs. P. about her travel schedule, number of plays, health of family, and sends her affection. Mrs. P is probably Penelope Weston Pennington.
Lord Jeffrey Francis, literary critic and barrister, writes Sarah Siddons about his inability to call, and hopes she will see him in Scotland. A piece of paper is attached to page 4. The letter contains notations by a second hand.
Andrew Combe, M.D., a physiologist and phrenologist, writes Mrs. Henry Siddons, daughter-in-law of Mrs. Sarah Siddons, introducing a shipboard surgeon and speaks of his brother's winning argument with a clergyman. Page 4 is a self-cover.
Harriet Siddons, daughter-in-law of Sarah Siddons, writes her children saying that her son, Henry, will be in charge in the event of her death. The pages are torn.
