Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Poel, William, 1852-1934; Menus; Shaw, Bernard, 1856-1950; Gosse, Edmund, 1849-1928; Headlam, Stewart D. (Stewart Duckworth), 1847-1924; Martin-Harvey, John, Sir, 1863-1944; Grein, J. T. (James Thomas), 1862-1935; Brabrook, Edward William, Sir,...
Menu and program of events for Dinner for William Poel on December 1 1912. Illustrated by Walter Crane, the menu includes the names of those giving toasts and those on the reception committee.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters
Lawrence writes to Archer thanking him for the present and informing him that he is going to re-read Wallace's book and insert in notes. Lawrence mentions Synge's play, "The Playboy," and tells Archer to have a look at Filips von Zesen,...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Brooke, Tucker, 1883-1946; Letters
Lawrence writes to Archer about C.T. Tucker Brook's review of his two books and then goes on to talk about a french treatise for a doctorate he is reading.
Contract between Wynn Miller, Edwin Booth's manager, and R. Pateman, hiring Pateman and his wife for Edwin Booth's 1882 tour of Great Britain. The contract enumerates Mr. and Mrs. Pateman's obligations to act in the season's shows and provide...
Booth, Edwin, 1833-1893; Players (Club); Booth, Junius Brutus, 1796-1852; Booth, John Wilkes, 1838-1865; Winter, William, 1836-1917; Benedict, E. C. (Elias Cornelius), 1834-1920
Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...
Siddons, Sarah, 1755-1831; Membership; Membership campaigns; Associations, institutions, etc.
Information and application form for the Sarah Siddons Fellowship that will be used to collect funds for special festivals, form a library and museum, and secure a headquarters for the movement.
Sarah Siddons writes Lady Perceval, godmother to her daughter, Cecilia, with concern for the health of Mrs. Soame, Lady Perceval's aunt, and recommends a prescription to ease her discomfort. Siddons comments on the 1808 destruction of Covent...
Anna Jameson writes from Brighton to Miss Cecilia Siddons, daughter of Mrs. Sarah Siddons that she hoped to write a biography on Mrs. Siddons but is delayed because of the poet Thomas Campbell. Page 4 is also a self-cover with a seal.
Charles Kemble writes an unnamed correspondent asking for subscription to reopen Covent Garden Theatre. The page 2 scan was rotated 90 degrees clockwise. The letter contains notations by a second hand. The letter is inlaid.
J. P. Kemble writes Woodfall about the disapproving behavior of George Colman, the Younger, at Kemble's farce production. Kemble recounts his own favors to Colman and Colman's father, and his disappointment at Colman's unnecessary actions. The...
Macready, William Charles, 1793-1873; Gallott, John, d. 1852; Payment; Letters
W. C. Macready writes from Lambeth to J. Gallott regarding payment for a copy. Page 4 is a self-cover. W. C. Macready probably refers to William Charles Macready and J. Gallott probably refers to John Gallott. The letter is inlaid and torn.
Charles Kean writes Lady Bulwer from Dublin expressing gratitude for her gifts and kindnesses and describes his successful Dublin engagement. Page 4 is a self-cover and contains a partial seal. The letter contains a watermark and postmark.
Kean, Charles John, 1811?-1868; D'Aguilar, G. C. (George Charles), Sir, 1784-1855; Performances; Hamlet (Legendary character); Drury Lane Theatre; Queens; Dramatic criticism; Letters; Embossing (Printing); Sealing-wax; Seals (Closures); Postmarks
Charles Kean writes Col. D'Aguilar describing the success of "Hamlet" and plans for "Richard III." The letter is torn and contains notations by a second hand. Page 4 is a self-cover with a partial seal and postmarks. The letter contains an...
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
Kean, Charles John, 1811?-1868; Theaters; Letters; Embossing (Printing); Watermarks
C. Kean writes an unnamed correspondent asking for a three night engagement in January. In the postscript, Kean writes about his success at Exeter. C. Kean refers to Charles Kean. The unnamed correspondent may be the manager of Sheffield...
Actors; Cathcart, James Faucit, 1828-1902; Kean, Charles John, 1811?-1868; Kean, Ellen, 1805-1880; Letters; Princess's Theatre (London, England); Shakespeare, William, 1564-1616. Hamlet; Shakespeare, William, 1564-1616. Macbeth; Watermarks;...
Kean writes a long letter to actor James F. Cathcart to address his actions during the theater company's on tour in Australia and the United States. Kean describes his past relationship with Cathcart and admonishes Cathcart for his behavior. The...
Barnett, Morris, 1800-1856; Edward VII, King of Great Britain, 1841-1910; Embossing (Printing); Kean, Charles John, 1811?-1868; Kings and rulers; Letters; Performances; Queens; Signatures (Writing); Theaters - Stage-setting and scenery; Victoria,...
Kean informs Barnett of the success of a theatre performance which the Queen, the Prince of Wales, and his two sisters enjoyed highly. Kean also adds that the scenery done by Grieve also satisfied.
