Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Kemble, John Philip, 1757-1823; Peake, Richard; Payment; Performances; Letters
J. P. Kemble writes Mr. Peake saying that his request for sixty pounds owed him has not been honored and that he will not "set foot" in the theatre on Thursday if 100 pounds is not sent. The letter was probably written between 1783 and 1802 while...
In a letter written in another hand, Kean requests coals of a certain variety from a Mr. Marchant. Letter contains a hole as well as handwritten notations by a second and third hand.
Betsy Fawcett writes a response letter to Edmund Kean, saying: "I cannot think it possible the answer I received on Thursday from the Theatre came from your own lips." Fawcett repeats her request for money as she suffers. She promises never to...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence thanks Archer for his generosity and sends him several rare prints and playbills in return. He thanks him for offering to read his manuscript, "Private Theatre," and plans to send it after Christmas.
Bayfield, M. A. (Matthew Albert), 1852-1922; Poel, William, 1852-1934; Letters
Bayfield thanks Poel for sending the draft of a text concerning bad contemporary interpretations of Shakespeareand proposes some revisions. He gratefully returns Sykes' letter and muses in a postscript on the musicality of Shakespearean prose. The...
William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Barry writes impassionedly of his efforts to raise funds for the Crow Street Theatre in Dublin and encloses the 200 pounds he has raised so far. The second and third pages of the letter are blank.
Booth writes from Geneva to inform Miller, his manager, when he will arrive in London and asks him to take care of his personal articles and finding lodgings. The second and fourth pages of the letter are blank.
Booth, Edwin, 1833-1893; Irving, Henry, Sir, 1838-1905; Letters; Lyceum Theatre (New York, N.Y.)
Edwin Booth writes of his visit to the invalid Sallie and his recent successful theatrical engagement at the Walnut. He hopes to act at the Lyceum Theatre in New York soon with Henry Irving. Written from Baltimore on Mount Vernon Hotel stationery.
Booth writes from Piccadilly to thank Boughton for his praise in light of recent critical comments and to express chagrin at Boughton's dislike of his costume.
Siddons, Sarah, 1755-1831; Membership; Membership campaigns; Associations, institutions, etc.
Information and application form for the Sarah Siddons Fellowship that will be used to collect funds for special festivals, form a library and museum, and secure a headquarters for the movement.
Sarah Siddons writes Mrs. P. about her travel schedule, number of plays, health of family, and sends her affection. Mrs. P is probably Penelope Weston Pennington.
Thomas Moore writes from Sloperton Cottage, Devizes in Wiltshire to Sarah Siddons saying he hopes to see her at the Salisbury Music meeting. He expresses his regard for the "ballads" sent to him. The letter contains notations by a second hand. ...
Sarah M. Siddons, daughter of Sarah Siddons, writes Harriet Siddons, wife of Henry Siddons, and daughter-in-law of Mrs. Sarah Siddons, a familiar family letter. Page 4 is a self-cover and its scan was rotated 90 degrees clockwise. The pages are...
Joanna Baillie, author and playwright, writes from Hampstead to Henry Siddons, son of Sarah Siddons, regarding the production of her play "The Beacon" at the Edinburgh theatre, the choice of "glees" for it, and an affectionate message to Sarah...
