Fanny Kemble writes Reverend William Henry Furness asking him to direct his attention to the "game which is being played" against her and the manner in which her children are "being strained from the poor hold" she has upon them. She discusses the...
Archer, writing from London (England,) replies to Martin-Harvey's request for an article on Martin-Harvey's production of "Oedipus." He suggests that he ask another critic more familiar with the production and offers some critiques of it.
The membership form, addressed to Poel, for The Elizabethan Stage Society explains why they were founded and what they are trying to accomplish (a return to play acting with the sole focus on Shakespeare's words, not the scenery.) The Society...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Bartley thanks Westmacott for his kindness in writing after "negligence" on his part and regrets that he cannot accept his invitation. He also mentions his efforts to find the manuscripts of the lectures Westmacott requested. The letter is pasted...
"The Discarded Lover" composed and sung by William Siddons on his benefit night at Brecon in 1771 to the tune of "Derry Town." It consists of 13 four-line verses. "The Discarded Lover" is bound to a baptismal extract dated 1818 May 2 and a letter...
Charles Kemble writes William Abbott about the resolution not to give any orders on the first night of a new piece. The letter contains notations by a second hand.
Charles Macklin writes an unnamed correspondent regarding a copy of a letter sent to Mr. Smith. Macklin asks the correspondent for his opinion about particular parts of it. The second draft of the letter is brief and omits the quoted passages of...
John Rich writes Mr. Macklin asking for the time and place of a meeting. Mr. Macklin probably refers to Charles Macklin. The letter is stained and contains notations by a second hand. The page 4 scan was rotated 90 degrees counterclockwise. ...
Kean, Charles John, 1811?-1868; Invitation; Theater; Tours; Letters; Embossing (Printing)
Charles Kean writes Mr. Donne refusing his invitation to participate in the Windsor Castle theatricals because he feels unwelcome. Kean lists his tour stops. The letter contains an embossing.
David Garrick sets forth terms in a legal document between himself and a John Moody regarding the "Release of a Bond it being lost." Document has been signed by Garrick and Albert Waller, a witness. Letter contains two watermarks, an embossing, and...
In a letter, Garrick writes to playwright Robert Jephson about the scandal of Isaac Bickerstaff and his sudden departure. Garrick laments the loss of Bickerstaff as the writer had recently been "preparing some pieces that would have been both...
Catherine Clive writes to a Mrs. Racket about the "strange treatment" she received from Mrs. Eva Maria Garrick after the death of her husband David Garrick. Clive asks Mrs. Racket to inquire as to why Mrs. Garrick has not called upon her for the...
Letter from London to Sir John Martin-Harvey, regarding Irving's father's lack of bequest to Loveday and complimenting Martin-Harvey's performance in "Breed of Trechams." Written on black-bordered stationery [most likely in mourning for Irving's...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters
Lawrence writes to Archer and gives him a summary of the details concerning various Elizabethan Theatres. Lawrence talks of the reasoning behind his corrections and omitions and gives examples.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters; Hishikawa, Moronobu, ca. 1618-ca. 1694
Lawrence writes to Archer telling him that he has found it very difficult to gather information about the evolution of the Japanese Theatre. He talks about a collection of Moronobar Hishikawa's theatrical sketches and describes a particular screen...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
In an undated letter written to Archer in London, Lawrence discusses the evolution of the physical characteristics of the European playhouse. [This letter may be the enclosure referred to in http://ccdl.libraries.claremont.edu/u?/phl,852.]
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence thanks Archer for the offer of a loan but explains that the grant he is now receiving from the Newspaper Press Fund will suffice. He discusses Archer's revisions to his manuscript concerning the Elizabethan playhouse...
