Harriet Siddons, daughter-in-law of Sarah Siddons, writes her children saying that her son, Henry, will be in charge in the event of her death. The pages are torn.
Charles Kemble writes an unknown correspondent at the "new theatre" making business arrangements and discussing roles for his wife, Marie Thérèse, and himself. The letter contains notations by a second hand.
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Booth, Edwin, 1833-1893; Players (Club); Booth, Junius Brutus, 1796-1852; Booth, John Wilkes, 1838-1865; Winter, William, 1836-1917; Benedict, E. C. (Elias Cornelius), 1834-1920
Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...
John Aikin writes Charles Murray, commenting on the performance of Murray's daughter, Harriet Murray Siddons. The letter contains notations by a second hand.
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
Diseases; Embossing (Printing); Kean, Charles John, 1811?-1868; Kean, Ellen, 1805-1880; Letters; Performances; Retirement; Shakespeare, William, 1564-1616. King Henry VIII; Signatures (Writing); Watermarks
Ellen Kean writes to Fanny Rose about her personal life. She describes her illness and how it affected her stage work. She also gives a short account of her husband, Charles Kean, and a recent theatre performance. She contemplates retirement and...
Kean writes to a Murray to arrange a theatre box for him after his recent illness. Kean says: "I have been so long a slave to the profession that seeing a play, in which I am not an actor, is a source of novelty & delight." Letter contains...
Irving, writing from Romford, England, lists his reasons for leaving Thacker & Co., explains why he entered the acting profession, and describes his first roles. The letter cross-written on one page: page 5 is written horizontally across page 1.
