Fanny Kemble writes from South Kensington to an unnamed friend saying that she is looking forward to receiving a book and owes much to her friend's help. Kemble mentions Sarah and Fanny Leigh, and speaks of her health at the age of 78. The...
Kemble, John Philip, 1757-1823; Peake, Richard; Payment; Performances; Letters
J. P. Kemble writes Mr. Peake saying that his request for sixty pounds owed him has not been honored and that he will not "set foot" in the theatre on Thursday if 100 pounds is not sent. The letter was probably written between 1783 and 1802 while...
J. P. Kemble writes Sally and Cicely thanking them for their kind letter and tells them he has gout in his hand. On page 2, Kemble's wife, Priscilla, describes the mountains and the colors of the lake and her garden. Sally probably refers to...
G. C. Carr writes Thompson on behalf of Mr. Kemble in regards to Thompson's farce saying that even in its altered state, there is no chance of its success. Thompson probably refer to James Thompson and Mr. Kemble probably refers to Stephen...
S. Kemble writes Harley asking for his assistance in a comedy. S. Kemble probably refers to Stephen Kemble and Harley probably refers to J. P. Harley. The letter contains a watermark.
M. Macklin writes her father from London asking that he attend her benefit. She claims that she would be the joke of both theatres, particularly Covent Garden, if he did not attend. In the post script, she updates her father on Woodward House and...
Macready, William Charles, 1793-1873; Gallott, John, d. 1852; Payment; Letters
W. C. Macready writes from Lambeth to J. Gallott regarding payment for a copy. Page 4 is a self-cover. W. C. Macready probably refers to William Charles Macready and J. Gallott probably refers to John Gallott. The letter is inlaid and torn.
Kean, Charles John, 1811?-1868; Webster, Benjamin, 1797-1882; Tickets; Performances; Drury Lane Theatre; Stanfield, Clarkson, 1793-1867; Letters; Watermarks
Charles Kean writes Webster requesting tickets for the next evening's performance. Kean also mentions Forster and Stanfield's walk in Regent's Park. The letter is inlaid and contains a watermark. Webster probably refers to Benjamin Webster and...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Playbill for Jonson's pastoral play, "The Sad shepherd," a tale of Robin Hood. The playbill contains a brief synopsis of the play, the names of the actors and characters, as well as a section written by Dowden.
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Poel, William, 1852-1934; Elizabethan Stage Society; Shakespeare, William, 1564-1616. Two gentlemen of Verona
Playbill for Shakespeare's play, "The Two Gentlemen of Verona." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the costumes, the music and the pronounciation.
Playbill for Beaumont and Fletcher's comedy, "The Coxcomb." The playbill includes the names of the actors as well as some information about aspects of the performance such as the authorship, the revival, the music, and the costumes.
Jesus Christ Iconography; Mercers' Company (London, England); Stone carving
Pages appear to be torn from a book. The article discusses the archeological find of an early Renaissance figure of Christ in Mercers' Chapel in London and speculates about its historical significance.
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
Sarah Siddons writes Mrs. P. about her travel schedule, number of plays, health of family, and sends her affection. Mrs. P is probably Penelope Weston Pennington.
Sarah Siddons writes F. E. Jones, manager of Crow Street Theatre, refusing his invitation to Ireland and in added lines, speaks of her agitated role of Arpasia in "Tamerlane." Two ending lines and Siddons' signature are attached to the letter...
Sarah Siddons writes her nephew, Horace Twiss, a lawyer, asking him not to take further action on the Galindo case. She describes the effect it has on her and sends a gift to Twiss' mother, Frances. Page 4 is a self-cover. The letter contains...
Kemble, Marie Thérèse, 1774-1838; Acting; Plays; Theatre Royal, Norwich; Letters
Marie Thérèse Kemble, wife of Charles Kemble, writes to John Smith of Norwich Theatre, discussing arrangements for her performances and housing. She submits a list of plays and farces for his choosing. The page 4 scan was rotated 90 degrees...
Fanny Kemble writes William Henry Furness saying that she has not accepted the new terms Mr. Butler has proposed as it will affect her residence under the same roof as her children. The letter contains an embossing.
