Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Program for Ben Jonson's "The Alchemist," directed by William Poel and presented by the Elizabethan Stage Society at the Imperial Theatre attached to the Royal Aquarium. The program contains the names of the 1902 cast and the casts from earlier...
J. P. Kemble writes Woodfall about the disapproving behavior of George Colman, the Younger, at Kemble's farce production. Kemble recounts his own favors to Colman and Colman's father, and his disappointment at Colman's unnecessary actions. The...
Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
Poel critiques John Barrymore's performance as Hamlet for his nephew Reginald Pole, who had acted alongside Barrymore in Hamlet. He praises how "he talked his part" but criticizes his lack of emotion and overuse of ""the Macready pause."" A...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Poel, William, 1852-1934; Independent Theatre Society; Grein, J. T. (James Thomas), 1862-1935; New Shakspere Society (Great Britain); Webster, John, 1580?-1625? Duchess of Malfi
Playbill for Webster's tragedy "The Duchess of Malfi," directed by Grein and re-arranged for the modern stage by Poel. The playbill lists the acts, the actors, the various people working behind the scenes, and also includes a small description of...
Playbill for Jonson's pastoral play, "The Sad shepherd," a tale of Robin Hood. The playbill contains a brief synopsis of the play, the names of the actors and characters, as well as a section written by Dowden.
Poel, William, 1852-1934; Elizabethan Stage Society; Shakespeare, William, 1564-1616. Two gentlemen of Verona
Playbill for Shakespeare's play, "The Two Gentlemen of Verona." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the costumes, the music and the pronounciation.
Playbill for Beaumont and Fletcher's comedy, "The Coxcomb." The playbill includes the names of the actors as well as some information about aspects of the performance such as the authorship, the revival, the music, and the costumes.
Arden of Feversham; Theater programs; Edward III (Drama); Shakespeare, William, 1564-1616; Poel, William, 1852-1934; Elizabethan Stage Society; St. George's Hall (London, England)
Program from the presentation of scenes from the two plays Arden of Feversham and Edward III, which are both sometimes attributed to William Shakespeare. The performance is directed by William Poel and produced by the Elizabethan Stage Society. The...
Barry writes to Sowdon saying that he's settled everything with the managers of DruryLane and that Sowdon should come to town immediately. Barry asks Sowdon to prepare the part of the Bastard in King Lear and also mentions he should take the Bark.
Barry writes to Sowdon apologizing for not replying to the letter sooner. Barry congratulates Sowdon success in acquiring the manger's friendship and asks for Sowdon's opinion on a second Playhouse in Dublin and whether he's still on friendly terms...
Jesus Christ Iconography; Mercers' Company (London, England); Stone carving
Pages appear to be torn from a book. The article discusses the archeological find of an early Renaissance figure of Christ in Mercers' Chapel in London and speculates about its historical significance.
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Barry writes to Sowdon in London of his satisfaction that Spranger Barry will at last come to the Irish theatre, in light of the previous misunderstandings on that point.
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
Bartley thanks Westmacott for his kindness in writing after "negligence" on his part and regrets that he cannot accept his invitation. He also mentions his efforts to find the manuscripts of the lectures Westmacott requested. The letter is pasted...
Bartley writes about the performance of "Ina," a play written by Lady Dacre, which featured Edmund Kean and was well attended but ultimately unsuccessful. He refers to a letter his wife received from her...
