Play-bill for the one performance of "The First Franciscans" by Poel in celebration of the seventh Franciscan centenary. There is a description of the play, some quotes about St. Francis of Assisi, and information about where to purchase tickets.
Playbill for Shakespeare's play, "Comedy of errors." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the division of acts, costumes, and a note on the Queen's Prayer....
Henry Siddons, son of Sarah Siddons, writes Miss Wilson about his daughter, Sarah Elizabeth's birthday celebration. A poem written by Sarah Elizabeth to her godmother, Miss Wilson, follows. The letter is written entirely in Henry's hand and...
S. Kemble writes Harley asking for his assistance in a comedy. S. Kemble probably refers to Stephen Kemble and Harley probably refers to J. P. Harley. The letter contains a watermark.
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
Gainsborough writes an amiable letter to David Garrick about a man named Henderson who bears a likeness to Garrick as a performer. Gainsborough possibly refers to John Henderson, a promising actor at the time. Gainsborough goes on to hint at...
Poel, William, 1852-1934; Boas, Frederick S. (Frederick Samuel), 1862-1957; Letters; Sun Life Assurance Company of Canada; Annuities; Marlowe, Christopher, 1564-1593. Doctor Faustus; Marlowe, Christopher, 1564-1593. Jew of Malta
Poel thanks Boas for sending him a copy of the edition of "Dr. Faustus" edited by Boas. He plans to give a reading or performance of another of Marlowe's plays, "The Jew of Malta," and criticizes the interpretation of a recent production of it....
William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Playbill for Beaumont and Fletcher's comedy, "The Coxcomb." The playbill includes the names of the actors as well as some information about aspects of the performance such as the authorship, the revival, the music, and the costumes.
Theatre program of William Shakespeare's "Twelfth Night," directed by William Poel and performed in the Middle Temple hall, where Twelfth Night was first performed in 1601. It contains the names of the cast, information about the play's costumes...
Barry writes to Sowdon apologizing for not replying to the letter sooner. Barry congratulates Sowdon success in acquiring the manger's friendship and asks for Sowdon's opinion on a second Playhouse in Dublin and whether he's still on friendly terms...
Jesus Christ Iconography; Mercers' Company (London, England); Stone carving
Pages appear to be torn from a book. The article discusses the archeological find of an early Renaissance figure of Christ in Mercers' Chapel in London and speculates about its historical significance.
Barry writes from London in favor of Sowdon's proposed renovations to the Crow Street Theatre in Dublin and to make more explicit his permission to let Sowdown use the theatre. Barry was a financial backer of the theatre until 1767.
Bartley thanks Westmacott for his kindness in writing after "negligence" on his part and regrets that he cannot accept his invitation. He also mentions his efforts to find the manuscripts of the lectures Westmacott requested. The letter is pasted...
Gore, Mrs. (Catherine Grace Frances), 1799-1861; Bartley, Sarah, 1783-1850; Letters; Westminster, Robert Grosvenor, Marquis of, 1767-1845; Siddons, Sarah, 1755-1831; Noah, M. M. (Mordecai Manuel), 1785-1851
Fanny Morres Gore and her daughter Catherine write from London to Bartley in America, inquiring after her new situation and her family and commenting on the doings of mutual acquaintances. She mentions how they will soon be obliged to move due to...
Booth, Edwin, 1833-1893; Irving, Henry, Sir, 1838-1905; Letters; Lyceum Theatre (New York, N.Y.)
Edwin Booth writes of his visit to the invalid Sallie and his recent successful theatrical engagement at the Walnut. He hopes to act at the Lyceum Theatre in New York soon with Henry Irving. Written from Baltimore on Mount Vernon Hotel stationery.
Sarah Siddons writes an unidentified gentleman saying she regrets that her "young people" cannot accept the invitation by Miss Ogilvie but invites Duchess and party to her play. The unidentified gentleman could be the Duke of Leinster. The letter...