William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
The membership form, addressed to Poel, for The Elizabethan Stage Society explains why they were founded and what they are trying to accomplish (a return to play acting with the sole focus on Shakespeare's words, not the scenery.) The Society...
Poel critiques John Barrymore's performance as Hamlet for his nephew Reginald Pole, who had acted alongside Barrymore in Hamlet. He praises how "he talked his part" but criticizes his lack of emotion and overuse of ""the Macready pause."" A...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Playbill for Shakespeare's play, "Twelfth Night," to be performed in St. George's hall. The playbill includes the names of the actors and musicians, information about The Elizabethan stage Society, as well as some information about aspects of the...
Playbill for Shakespeare's play, "Comedy of errors." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the division of acts, costumes, and a note on the Queen's Prayer....
Playbill for Beaumont and Fletcher's comedy, "The Coxcomb." The playbill includes the names of the actors as well as some information about aspects of the performance such as the authorship, the revival, the music, and the costumes.
Theatre program of William Shakespeare's "Twelfth Night," directed by William Poel and performed in the Middle Temple hall, where Twelfth Night was first performed in 1601. It contains the names of the cast, information about the play's costumes...
Barry writes to Sowdon saying that he's settled everything with the managers of DruryLane and that Sowdon should come to town immediately. Barry asks Sowdon to prepare the part of the Bastard in King Lear and also mentions he should take the Bark.
Barry writes to Sowdon expressing his concern for Sowdon's health and then goes on to say how he's more inclinded to play at Covent Garden than at Drury Lane for reasons he will tell Sowdon in person.
Barry writes to Sowdon apologizing for not replying to the letter sooner. Barry congratulates Sowdon success in acquiring the manger's friendship and asks for Sowdon's opinion on a second Playhouse in Dublin and whether he's still on friendly terms...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters
Lawrence writes to Archer thanking him for the present and informing him that he is going to re-read Wallace's book and insert in notes. Lawrence mentions Synge's play, "The Playboy," and tells Archer to have a look at Filips von Zesen,...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Brooke, Tucker, 1883-1946; Letters
Lawrence writes to Archer about C.T. Tucker Brook's review of his two books and then goes on to talk about a french treatise for a doctorate he is reading.
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Barry writes to Sowdon in London of his satisfaction that Spranger Barry will at last come to the Irish theatre, in light of the previous misunderstandings on that point.
Barry writes from London in favor of Sowdon's proposed renovations to the Crow Street Theatre in Dublin and to make more explicit his permission to let Sowdown use the theatre. Barry was a financial backer of the theatre until 1767.
