Sowdon writes to Coates in Dublin to make clear that he has resigned his share in the bond and lease for the "Music Hall" which he signed jointly with Spranger Barry. He asks Coates to apply to Barry to release him from the bond and lease...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Booth writes from Piccadilly to thank Boughton for his praise in light of recent critical comments and to express chagrin at Boughton's dislike of his costume.
Sarah Siddons writes her nephew, Horace Twiss, a lawyer, asking him not to take further action on the Galindo case. She describes the effect it has on her and sends a gift to Twiss' mother, Frances. Page 4 is a self-cover. The letter contains...
Henry Siddons, son of Sarah Siddons, writes Miss Wilson about his daughter, Sarah Elizabeth's birthday celebration. A poem written by Sarah Elizabeth to her godmother, Miss Wilson, follows. The letter is written entirely in Henry's hand and...
Harriet Siddons, daughter-in-law of Sarah Siddons, writes her children saying that her son, Henry, will be in charge in the event of her death. The pages are torn.
Fanny Kemble writes William Henry Furness saying that she has not accepted the new terms Mr. Butler has proposed as it will affect her residence under the same roof as her children. The letter contains an embossing.
Actors; Cathcart, James Faucit, 1828-1902; Kean, Charles John, 1811?-1868; Kean, Ellen, 1805-1880; Letters; Princess's Theatre (London, England); Shakespeare, William, 1564-1616. Hamlet; Shakespeare, William, 1564-1616. Macbeth; Watermarks;...
Kean writes a long letter to actor James F. Cathcart to address his actions during the theater company's on tour in Australia and the United States. Kean describes his past relationship with Cathcart and admonishes Cathcart for his behavior. The...
Tayleure writes to Kean about a collection of letters and other materials related to his father, Edmund Kean. Tayleure mentions the monetary value of certain letters and sends materials to Kean to propose a sale. Tayleure adds a postscript about...
Material consists of a two-page prologue handwritten by Garrick placed next to an engraving of Garrick with his signature. Both materials have been pasted to a thicker sheet for protection and presentation. Prologue contains secondhand notations at...
Gainsborough writes an amiable letter to David Garrick about a man named Henderson who bears a likeness to Garrick as a performer. Gainsborough possibly refers to John Henderson, a promising actor at the time. Gainsborough goes on to hint at...
Irving, Henry, Sir, 1838-1905; Dickens, Charles, 1837-1896; Crystal Palace (London, England); National Gallery (Great Britain); British Museum; Letters
Writing from London Irving discusses Wilkins' town, Irving's decision not to join the London Wall church, the issue of Sunday openings of public buildings and Charles Dickens' new work "written in favor of the opening." Signed J.H. Brodribb...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters
Lawrence writes to Archer thanking him for the translation and also talks about the obserbvations of a man named Platter who saw Shakespeare's Julius Caesar at the Globe. Lawrence talks about prices and possible methods of paying to get into the...
Elizabethan Stage Society; Poel, William, 1852-1934; Green-Armytage, R. N. (Robert N.), d. 1966; Invitation; Chapman, George, 1559?-1634. Conspiracie and tragedy of Charles, Duke of Byron, Marshall of France
The Elizabethan Stage Circle informs those invited where to sit in the theatre and directs them to apply to the Secretary for additional tickets for either the private or public performance of Chapman's "Byron." [This leaflet is part of the...
Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
