William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
The membership form, addressed to Poel, for The Elizabethan Stage Society explains why they were founded and what they are trying to accomplish (a return to play acting with the sole focus on Shakespeare's words, not the scenery.) The Society...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Playbill for Jonson's pastoral play, "The Sad shepherd," a tale of Robin Hood. The playbill contains a brief synopsis of the play, the names of the actors and characters, as well as a section written by Dowden.
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Playbill for Shakespeare's play, "Comedy of errors." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the division of acts, costumes, and a note on the Queen's Prayer....
Theatre program of William Shakespeare's "Twelfth Night," directed by William Poel and performed in the Middle Temple hall, where Twelfth Night was first performed in 1601. It contains the names of the cast, information about the play's costumes...
Program for Ben Jonson's "The Alchemist," directed by William Poel and presented by the Elizabethan Stage Society at the Imperial Theatre attached to the Royal Aquarium. The program contains the names of the 1902 cast and the casts from earlier...
Barry writes to Sowdon expressing his concern for Sowdon's health and then goes on to say how he's more inclinded to play at Covent Garden than at Drury Lane for reasons he will tell Sowdon in person.
Barry writes to Sowdon apologizing for not replying to the letter sooner. Barry congratulates Sowdon success in acquiring the manger's friendship and asks for Sowdon's opinion on a second Playhouse in Dublin and whether he's still on friendly terms...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Brooke, Tucker, 1883-1946; Letters
Lawrence writes to Archer about C.T. Tucker Brook's review of his two books and then goes on to talk about a french treatise for a doctorate he is reading.
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Barry writes from London in favor of Sowdon's proposed renovations to the Crow Street Theatre in Dublin and to make more explicit his permission to let Sowdown use the theatre. Barry was a financial backer of the theatre until 1767.
Barry writes impassionedly of his efforts to raise funds for the Crow Street Theatre in Dublin and encloses the 200 pounds he has raised so far. The second and third pages of the letter are blank.
In an urgent letter from London, Barry requests the remainder of the five hundred pounds from Sowdon in order to pay Coates.The second and third pages of the letter are blank, and there is a notation next to the address: "Letters From Barry with my...
Barry implores Sowdon for more time to raise funds, as he has only come up with 200 pounds, and writes that plans to come to Sowdon's lodgings the following morning. The third page of the letter is blank.
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
Barry writes in distress that he never received the letter mentioned in Sowdon's note and implores Sowdon to meet with him as soon as possible. The second and third pages of the letter are blank, and one corner of the third and fourth pages is torn.
John Jones writes David Jones discussing the birthplace of Sarah Siddons, saying that it "seems to create surprize", and that the people of Brecon were hurt at the denial of the truth. He adds that she was in service with the Cliffords "which she...
