Artist Thomas Gainsborough writes a friendly letter to David Garrick on his activities and interactions with various persons. Letter contains what may be a wax seal. Image four scan has been rotated 90 degrees to the right.
Irving, writing from Romford, England, lists his reasons for leaving Thacker & Co., explains why he entered the acting profession, and describes his first roles. The letter cross-written on one page: page 5 is written horizontally across page 1.
Irving, Henry, Sir, 1838-1905; Shakespearean actors and actresses; Cartoonists; Letters
Bryan informs Binns that he could provide a pencil sketch of Henry Irving if Mr. Binns lets him know what character to depict Irving as. Note includes the "last sketch" that Bryan made of Irving's face and chin.
Writing from London, Irving suggests that Smith appeal to Sir Leighton on behalf of Irving's Institution and he expresses disappointment about Alma-Tadema.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters
Writing on Clarendon Press, Oxford, letterhead, an unidentified author writes to Lawrence telling him of his correspondence with William Archer and that he has enclosed revisions of the article on a work called Shakespeare's England.
Irving, Henry, Sir, 1838-1905; Loveday, H. J. (Henry J.); Letters; Shakespearean actors and actresses
Irving mentions a letter he received from the East India Service Club intended for Loveday. The letter is on Lyceum Theatre stationery, written from Boscastle and dated 27 August.
Irving, Henry, Sir, 1838-1905; Loveday, H. J. (Henry J.); Terry, Marion, 1856-1930; Lyceum Theatre (London, England); Letters; Shakespearean actors and actresses
Irving gives directions for handbills for the Glasgow production of "Faust" and speculates about its success there. Written on stationery from the Grand Hotel De Longres Verone.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters
Lawrence writes to Archer and gives him a summary of the details concerning various Elizabethan Theatres. Lawrence talks of the reasoning behind his corrections and omitions and gives examples.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters; Hishikawa, Moronobu, ca. 1618-ca. 1694
Lawrence writes to Archer telling him that he has found it very difficult to gather information about the evolution of the Japanese Theatre. He talks about a collection of Moronobar Hishikawa's theatrical sketches and describes a particular screen...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
In a typed letter from Dublin, Lawrence writes that he has sent the slides requested by Archer in his last letter and discusses various theories about the structure of the traditional playhouse, including the existence of a central curtain and a...
Lawrence, William J. (William John), 1862-1940; Letters; Eliot, T. S. (Thomas Stearns), 1888-1965; Barry, Spranger, 1719-1777
Lawrence inquires into the whereabouts of the magazine containing his article that Starkey had sent. He mentions a small book concerning Shakespeare he has written and plans to ask T. S. Eliot about publishing it. Lawrence also discusses how he has...
Royalty Theatre (1840-1938); Elizabethan Stage Society; Poel, William, 1852-1934; Green-Armytage, R. N. (Robert N.), d. 1966; Chapman, George, 1559?-1634. Conspiracie and tragedy of Charles, Duke of Byron, Marshall of France; Children of the...
Playbill announcing the Elizabethan Stage Circle's production of "Charles, Duke of Byron" at the Royalty Theatre. An excerpt from Dr. Wallace's "The Children of the Chapel, at Blackfriars" explains the history of the Blackfriars playhouse and the...
