Pinero, Arthur Wing, Sir, 1855-1934; Irving, Laurence, 1871-1914; Letters
Writing from London, Irving expresses gratitude for Pinero's praise. [This letter is a possible response to original letter in Pinero box 15, folder 43.]
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
Harriet Siddons, daughter-in-law of Sarah Siddons, writes her children saying that her son, Henry, will be in charge in the event of her death. The pages are torn.
Macready, William Charles, 1793-1873; Gallott, John, d. 1852; Payment; Letters
W. C. Macready writes from Lambeth to J. Gallott regarding payment for a copy. Page 4 is a self-cover. W. C. Macready probably refers to William Charles Macready and J. Gallott probably refers to John Gallott. The letter is inlaid and torn.
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
Kean writes a letter to the Drury Lane Committee to decline the role of Joseph Surface in the play The School for Scandal. Kean, whose strength was drama, rejected the role because it was comedic. The Committee, which included Lord Byron, requested...
