Barry writes to Sowdon apologizing for not replying to the letter sooner. Barry congratulates Sowdon success in acquiring the manger's friendship and asks for Sowdon's opinion on a second Playhouse in Dublin and whether he's still on friendly terms...
Barry writes impassionedly of his efforts to raise funds for the Crow Street Theatre in Dublin and encloses the 200 pounds he has raised so far. The second and third pages of the letter are blank.
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
Gore, Mrs. (Catherine Grace Frances), 1799-1861; Bartley, Sarah, 1783-1850; Letters; Westminster, Robert Grosvenor, Marquis of, 1767-1845; Siddons, Sarah, 1755-1831; Noah, M. M. (Mordecai Manuel), 1785-1851
Fanny Morres Gore and her daughter Catherine write from London to Bartley in America, inquiring after her new situation and her family and commenting on the doings of mutual acquaintances. She mentions how they will soon be obliged to move due to...
Booth, Edwin, 1833-1893; Players (Club); Booth, Junius Brutus, 1796-1852; Booth, John Wilkes, 1838-1865; Winter, William, 1836-1917; Benedict, E. C. (Elias Cornelius), 1834-1920
Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...
Sarah Siddons writes F. E. Jones, manager of Crow Street Theatre, refusing his invitation to Ireland and in added lines, speaks of her agitated role of Arpasia in "Tamerlane." Two ending lines and Siddons' signature are attached to the letter...
Fanny Kemble writes William Henry Furness saying that she has not accepted the new terms Mr. Butler has proposed as it will affect her residence under the same roof as her children. The letter contains an embossing.
Kean, Charles John, 1811?-1868; Travel; Interviews; Letters; Embossing (Printing)
Charles Kean writes an unnamed correspondent saying he has just returned from Paris and is leaving on a provincial tour. He says he expects to pass through London and that he will be glad to see him. The letter contains an embossing.
Actors; Cathcart, James Faucit, 1828-1902; Kean, Charles John, 1811?-1868; Kean, Ellen, 1805-1880; Letters; Princess's Theatre (London, England); Shakespeare, William, 1564-1616. Hamlet; Shakespeare, William, 1564-1616. Macbeth; Watermarks;...
Kean writes a long letter to actor James F. Cathcart to address his actions during the theater company's on tour in Australia and the United States. Kean describes his past relationship with Cathcart and admonishes Cathcart for his behavior. The...
In a letter from Liverpool, Manifold confirms that Charles Kean will not be able to continue his theatre performances for an extended amount of time because of a heart illness. Letter contains a cut-off watermark. Watermark is printed as: "Joyn"...
Electric Telegraph Company; Insignia; International Telegraph Company; Kean, Charles John, 1811?-1868; Letterheads; Signatures (Writing); Surgeons; Tariff Europe; Telegraph
Manifold sends a telegram from Liverpool to Rogers at the Theatre Royal to inform him of Charles Kean's illness. Mamfold states that Kean will not be able to act for a period of months. Letter contains secondhand notation. Notation, handwritten at...
In a letter, Ivy tells Mr. Rogers that Charles Kean has become very ill and will not be able to perform in the theatre for a period of months. Ivy also hints that he sent an earlier telegram with same news. Letter contains a small embossing on the...
Diseases; Embossing (Printing); Hotels; Kean, Charles John, 1811?-1868; Kean, Ellen, 1805-1880; Letters; Physicians; Signatures (Writing); Telegraph
John Ivy writes to J. Rogers about Charles Kean's illness and inability to perform on the stage or travel as a result. Ivy requests a meeting with Rogers and Mrs. Kean to discuss the matter. Letter contains a small embossing on the top left corner...
Kean writes a letter to the Drury Lane Committee to decline the role of Joseph Surface in the play The School for Scandal. Kean, whose strength was drama, rejected the role because it was comedic. The Committee, which included Lord Byron, requested...
Betsy Fawcett writes a Kean a letter to request money. Fawcett argues that as she is "the only relative of your Father in existence," he should send her a sum of money to support her in her unfavorable situation. Fawcett gives her address and...
Catherine Clive writes to a Mrs. Racket about the "strange treatment" she received from Mrs. Eva Maria Garrick after the death of her husband David Garrick. Clive asks Mrs. Racket to inquire as to why Mrs. Garrick has not called upon her for the...
Shakespearean actors and actresses; Irving, Henry, Sir, 1838-1905; Letters
Irving writes from London, praising rural life and regretting he cannot spend vacation with Wilkins. He discusses Albion Chapel and long working hours. He signs as J.H. Brodribb [Irving's birth name is John Henry Brodribb]. There is cross-writing...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters
Lawrence writes to Archer and gives him a summary of the details concerning various Elizabethan Theatres. Lawrence talks of the reasoning behind his corrections and omitions and gives examples.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters; Hishikawa, Moronobu, ca. 1618-ca. 1694
Lawrence writes to Archer telling him that he has found it very difficult to gather information about the evolution of the Japanese Theatre. He talks about a collection of Moronobar Hishikawa's theatrical sketches and describes a particular screen...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
In an undated letter written to Archer in London, Lawrence discusses the evolution of the physical characteristics of the European playhouse. [This letter may be the enclosure referred to in http://ccdl.libraries.claremont.edu/u?/phl,852.]
