Two manuscripts pasted together consist of two parts of a contract. The document gives power to Kean's attorneys in a legal issue between Edwards and Kean. Document is signed by Kean three times. A witness, B. Kirkham, signs the document twice....
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Barry writes impassionedly of his efforts to raise funds for the Crow Street Theatre in Dublin and encloses the 200 pounds he has raised so far. The second and third pages of the letter are blank.
Ellen Kean writes a casual letter to a Mrs. Talfourd about various topics which include her children's illness, the landscape of Wardie Brae, the Surrey Zoological Garden, theatre business, and London gossip. First page contains two separate parts...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
In a typed letter from Dublin, Lawrence writes that he has sent the slides requested by Archer in his last letter and discusses various theories about the structure of the traditional playhouse, including the existence of a central curtain and a...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Poel, William, 1852-1934; Independent Theatre Society; Grein, J. T. (James Thomas), 1862-1935; New Shakspere Society (Great Britain); Webster, John, 1580?-1625? Duchess of Malfi
Playbill for Webster's tragedy "The Duchess of Malfi," directed by Grein and re-arranged for the modern stage by Poel. The playbill lists the acts, the actors, the various people working behind the scenes, and also includes a small description of...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Brooke, Tucker, 1883-1946; Letters
Lawrence writes to Archer about C.T. Tucker Brook's review of his two books and then goes on to talk about a french treatise for a doctorate he is reading.
Sowdon writes to Coates in Dublin to make clear that he has resigned his share in the bond and lease for the "Music Hall" which he signed jointly with Spranger Barry. He asks Coates to apply to Barry to release him from the bond and lease...
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
Bartley asks that the correspondent let him borrow a relic from his "former acting days" so that he may use it in his upcoming performance before royalty at Windsor Castle. He regrets not being able to call upon him that morning and offers a box...
University of Oxford; Recitations; Combe, Cecilia, 1794-1868; Letters
Sarah Siddons writes Elizabeth Simon (Vernon), Lady Harcourt, discussing arrangements for readings at Oxford and asking advice for lodging. Siddons mentions her daughter, Cecilia. The pages are torn.
Joanna Baillie, author and playwright, to Sarah Siddons, writes Siddons expressing warmth and affection, and also appreciation for understanding her new book.
Sarah Siddons writes Lady Perceval, godmother to her daughter, Cecilia, with concern for the health of Mrs. Soame, Lady Perceval's aunt, and recommends a prescription to ease her discomfort. Siddons comments on the 1808 destruction of Covent...
Sarah Siddons writes her son, Harry (Henry) Siddons, regarding Henry's wife's loss of clothes and ornaments in the theatre fire, investments, a promise of a loan, her own need to move socially, and not living for one's self alone. The letter...
Sarah Siddons writes an unidentified gentleman saying she regrets that her "young people" cannot accept the invitation by Miss Ogilvie but invites Duchess and party to her play. The unidentified gentleman could be the Duke of Leinster. The letter...
Sarah M. Siddons, daughter of Sarah Siddons, writes Harriet Siddons, wife of Henry Siddons, and daughter-in-law of Mrs. Sarah Siddons, a familiar family letter. Page 4 is a self-cover and its scan was rotated 90 degrees clockwise. The pages are...
Joanna Baillie, author and playwright, writes Henry Siddons, son of Sarah Siddons, in response to Siddons answer to her 1815 February 6 letter, sending "Glees" she believes appropriate for her play, "The Beacon." Page 4 is a self-cover with a...
Joanna Baillie, author and playwright, writes from Hampstead to Henry Siddons, son of Sarah Siddons, regarding the production of her play "The Beacon" at the Edinburgh theatre, the choice of "glees" for it, and an affectionate message to Sarah...
Harriet Siddons, daughter-in-law of Sarah Siddons, writes her children saying that her son, Henry, will be in charge in the event of her death. The pages are torn.
