Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Kemble, John Philip, 1757-1823; Drury Lane Theatre; Executives; Letters
J. P. Kemble writes an unnamed correspondent explaining that he is no longer the manager of Drury Lane Theatre and cannot give an opinion on the correspondent's tragedy. He refers the correspondent to a Mr. Aickin. The letter contains notations...
Sarah Siddons writes an unknown correspondent requesting to make a "short" call and informs of coming in a "close carriage." The letter does not have a heading or signature. The letter contains notations by a second hand. The page 4 scan was...
Kemble, John Philip, 1757-1823; Theaters; Stage props; Rent; Letters
J. P. Kemble writes an unnamed correspondent discussing rentals, stage needs, and the intention not to re-let the theatre. The unnamed correspondent may be Mr. Currie. Page 4 is a self-cover.
Charles Macklin writes an unnamed correspondent regarding a copy of a letter sent to Mr. Smith. Macklin asks the correspondent for his opinion about particular parts of it. The second draft of the letter is brief and omits the quoted passages of...
Charles Macklin writes an unnamed correspondent discussing his health over the winter. The unnamed correspondent may be John Pearse and the letter could have been written in 1788 or 1789. The letter is stained and has been repaired.
Kean, Charles John, 1811?-1868; Drawing; Lear, King (Legendary character); Letters; Embossing (Printing); Watermarks
Charles Kean writes an unnamed correspondent asking him for scenic sketches of "King Lear" for his book. The unnamed correspondent may be his scene designer, Mr. Lloyds. The letter contains an embossing and watermarks.
Kean, Charles John, 1811?-1868; Tickets; Theater; Letters; Embossing (Printing)
Charles Kean writes an unnamed correspondent saying that he has enclosed tickets as requested and says that he has forwarded the correspondent's "kind note and cheque to Mr. Callenford." The letter contains an embossing.
Kean, Charles John, 1811?-1868; Theaters; Letters; Embossing (Printing); Watermarks
C. Kean writes an unnamed correspondent asking for a three night engagement in January. In the postscript, Kean writes about his success at Exeter. C. Kean refers to Charles Kean. The unnamed correspondent may be the manager of Sheffield...
Bartley asks that the correspondent let him borrow a relic from his "former acting days" so that he may use it in his upcoming performance before royalty at Windsor Castle. He regrets not being able to call upon him that morning and offers a box...
Charles Kemble writes an unknown correspondent at the "new theatre" making business arrangements and discussing roles for his wife, Marie Thérèse, and himself. The letter contains notations by a second hand.
Charles Kemble writes an unnamed correspondent asking for subscription to reopen Covent Garden Theatre. The page 2 scan was rotated 90 degrees clockwise. The letter contains notations by a second hand. The letter is inlaid.
Charles Kemble writes an unnamed correspondent declining an offer for a Covent Garden check dated 1762 by saying he is not a "collector of curiosities." The pages are torn.
Kemble, Charles, 1775-1854; Acting; Theaters England; Drury Lane Theatre; Letters
Charles Kemble writes an unnamed correspondent saying he has been unwell and that he believes his brother acted as "Timon" at Drury Lane. The letter is pasted to a scrapbook page surrounded by small engravings of the actor in various roles. The...
Adelaide Sartoris, daughter of Charles Kemble, writes an unnamed correspondent asking him if he will participate in a play to help an Italian man and his family. The pages are torn. The letter contains notations by more than one hand.
Kemble, John Philip, 1757-1823; Shakespeare, William, 1564-1616; Poetry; Letters
J. P. Kemble writes an unnamed correspondent thanking him for his comments on Shakespeare and expresses his hope of calling on him when he passes "through York" on his way to visit the Earl of Aberdeen.
