Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
The membership form, addressed to Poel, for The Elizabethan Stage Society explains why they were founded and what they are trying to accomplish (a return to play acting with the sole focus on Shakespeare's words, not the scenery.) The Society...
Sowdon writes to Coates in Dublin to make clear that he has resigned his share in the bond and lease for the "Music Hall" which he signed jointly with Spranger Barry. He asks Coates to apply to Barry to release him from the bond and lease...
Sarah Siddons writes F. E. Jones, manager of Crow Street Theatre, refusing his invitation to Ireland and in added lines, speaks of her agitated role of Arpasia in "Tamerlane." Two ending lines and Siddons' signature are attached to the letter...
The notes Sarah Siddons wrote in a prayer book given to her granddaughter, Mrs. H.H. Wilson. They are spiritual thoughts to be meditated upon in preparation for and after divine service. The writing is very faint. The note contains writing by...
Betsy Fawcett writes a Kean a letter to request money. Fawcett argues that as she is "the only relative of your Father in existence," he should send her a sum of money to support her in her unfavorable situation. Fawcett gives her address and...
In a letter, Garrick writes to Sir Henry Bate Dudley about their recent visit, other engagements, and a negative news article about Garrick written by a Mr. Griffin. Garrick adds a postscript about a future meeting with the Duke of Northumberland...
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters
Writing on Clarendon Press, Oxford, letterhead, an unidentified author mentions William Archer's article, and gives some advice about some Shakespearean and other plays they are working on.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters
Lawrence writes to Archer and gives him a summary of the details concerning various Elizabethan Theatres. Lawrence talks of the reasoning behind his corrections and omitions and gives examples.
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924; Theater
Writing from Dublin, Lawrence gives Archer his corrections. He is doubtful as to the accuracy of the term 'scaffold' and goes on to discuss the referenecs to the shilling in plays. He gives a number of other corrections also.
