Joanna Baillie, author and playwright, writes Henry Siddons, son of Sarah Siddons, in response to Siddons answer to her 1815 February 6 letter, sending "Glees" she believes appropriate for her play, "The Beacon." Page 4 is a self-cover with a...
William Ellery Channing writes George Combe inviting him and his wife, Cecilia, to dinner or tea during their Boston visit. The letter contains notations by more than one hand.
S. Kemble writes Harley asking for his assistance in a comedy. S. Kemble probably refers to Stephen Kemble and Harley probably refers to J. P. Harley. The letter contains a watermark.
Betsy Fawcett writes a response letter to Edmund Kean, saying: "I cannot think it possible the answer I received on Thursday from the Theatre came from your own lips." Fawcett repeats her request for money as she suffers. She promises never to...
Irving writes from Paris to thank Claritie for his recent article about Henry Irving and request two tickets to Comedie-Francaise for himself and an American friend.
Bayfield, M. A. (Matthew Albert), 1852-1922; Poel, William, 1852-1934; Letters
Bayfield thanks Poel for sending the draft of a text concerning bad contemporary interpretations of Shakespeareand proposes some revisions. He gratefully returns Sykes' letter and muses in a postscript on the musicality of Shakespearean prose. The...
Barry writes to Sowdon saying that he's settled everything with the managers of DruryLane and that Sowdon should come to town immediately. Barry asks Sowdon to prepare the part of the Bastard in King Lear and also mentions he should take the Bark.
Barry writes to Sowdon expressing his concern for Sowdon's health and then goes on to say how he's more inclinded to play at Covent Garden than at Drury Lane for reasons he will tell Sowdon in person.
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Gore, Mrs. (Catherine Grace Frances), 1799-1861; Bartley, Sarah, 1783-1850; Letters; Westminster, Robert Grosvenor, Marquis of, 1767-1845; Siddons, Sarah, 1755-1831; Noah, M. M. (Mordecai Manuel), 1785-1851
Fanny Morres Gore and her daughter Catherine write from London to Bartley in America, inquiring after her new situation and her family and commenting on the doings of mutual acquaintances. She mentions how they will soon be obliged to move due to...
Sarah Siddons writes the Right Honourable William Windham inviting him to tea as she is "flying to rehearsal." Page 4 is a self-cover. The pages are torn.
J. P. Kemble writes Woodfall about the disapproving behavior of George Colman, the Younger, at Kemble's farce production. Kemble recounts his own favors to Colman and Colman's father, and his disappointment at Colman's unnecessary actions. The...
Kemble, John Philip, 1757-1823; Theaters; Stage props; Rent; Letters
J. P. Kemble writes an unnamed correspondent discussing rentals, stage needs, and the intention not to re-let the theatre. The unnamed correspondent may be Mr. Currie. Page 4 is a self-cover.
M. Macklin writes her father from London asking that he attend her benefit. She claims that she would be the joke of both theatres, particularly Covent Garden, if he did not attend. In the post script, she updates her father on Woodward House and...
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
In a typed letter from Dublin, Lawrence thanks Archer for sending him a copy of the "Morning Leader" and mentions the enclosure of the proofs of several mezzotint prints along with Lawrence's notes on the Elizabethan stage. [The enclosed notes...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
In an urgent letter from London, Barry requests the remainder of the five hundred pounds from Sowdon in order to pay Coates.The second and third pages of the letter are blank, and there is a notation next to the address: "Letters From Barry with my...
Bartley asks that the correspondent let him borrow a relic from his "former acting days" so that he may use it in his upcoming performance before royalty at Windsor Castle. He regrets not being able to call upon him that morning and offers a box...
