Fanny Kemble writes William Henry Furness saying that she has not accepted the new terms Mr. Butler has proposed as it will affect her residence under the same roof as her children. The letter contains an embossing.
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Irving, writing from Romford, England, lists his reasons for leaving Thacker & Co., explains why he entered the acting profession, and describes his first roles. The letter cross-written on one page: page 5 is written horizontally across page 1.
Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
Sarah Siddons writes Mrs. P. about her travel schedule, number of plays, health of family, and sends her affection. Mrs. P is probably Penelope Weston Pennington.
Benjamin C. Griffinhoofe writes Mrs. Henry Siddons, daughter-in-law of Sarah Siddons, sending condolences upon hearing of Harriet Siddons' husband, Henry's death. Page 4 is a self-cover with a seal and the page 4 scan was rotated 90 degrees...
Harriet Siddons, daughter-in-law of Sarah Siddons, writes her children saying that her son, Henry, will be in charge in the event of her death. The pages are torn.
Kemble, Fanny, 1809-1893; Byron, Anne Isabella Milbanke Byron, Baroness, 1792-1860; Lovelace, Ada King, Countess of, 1815-1852; Families; Butler, Pierce, 1807-1867; Furness, William Henry, 1802-1896; Letters
Fanny Kemble writes Reverend William Henry Furness a letter of parting mentioning Mr. Butler's witholding of certain letters she received from Lady Byron. The letter contains an embossing. The pages are torn. Page 4 is also a self-cover.
Archer, writing from London (England,) replies to Martin-Harvey's request for an article on Martin-Harvey's production of "Oedipus." He suggests that he ask another critic more familiar with the production and offers some critiques of it.
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Henry Siddons, grandson of Sarah Siddons, and son of Harriet Siddons, writes his mother as a teenage midshipman. Page 4 is also a self-cover with a seal. The letter contains notations by a second hand. The pages are torn.
Kemble, John Philip, 1757-1823; Peake, Richard; Payment; Performances; Letters
J. P. Kemble writes Mr. Peake saying that his request for sixty pounds owed him has not been honored and that he will not "set foot" in the theatre on Thursday if 100 pounds is not sent. The letter was probably written between 1783 and 1802 while...
Kemble, John Philip, 1757-1823; Apologizing; Mobs; Letters
J. P. Kemble writes an unnamed gentleman thanking him for his call. Kemble apologizes for his servant's blunt behavior due to fear of "the mob." The "mob" referred to in the letter may be part of the O. P. riots. The letter is torn and stained.
Lawrence, William J. (William John), 1862-1940; Letters
Lawrence asks Starker to send him the proof of the magazine article previously sent and laments his fading eyesight. He also mentions a visit by Professor William Clark.
Playbill for Shakespeare's play, "Twelfth Night," to be performed in St. George's hall. The playbill includes the names of the actors and musicians, information about The Elizabethan stage Society, as well as some information about aspects of the...
Barry writes from London in favor of Sowdon's proposed renovations to the Crow Street Theatre in Dublin and to make more explicit his permission to let Sowdown use the theatre. Barry was a financial backer of the theatre until 1767.
Barbarina Wilmot (later Lady Dacre) writes from her sickbed to Mrs. Bartley, George Bartley's wife, to congratulate her on her performance in "Ina" and express her regrets in being forced to close the play. [George Bartley's commentary on Ina:...
