Poel, William, 1852-1934; Boas, Frederick S. (Frederick Samuel), 1862-1957; Letters; Sun Life Assurance Company of Canada; Annuities; Marlowe, Christopher, 1564-1593. Doctor Faustus; Marlowe, Christopher, 1564-1593. Jew of Malta
Poel thanks Boas for sending him a copy of the edition of "Dr. Faustus" edited by Boas. He plans to give a reading or performance of another of Marlowe's plays, "The Jew of Malta," and criticizes the interpretation of a recent production of it....
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Poel, William, 1852-1934; Independent Theatre Society; Grein, J. T. (James Thomas), 1862-1935; New Shakspere Society (Great Britain); Webster, John, 1580?-1625? Duchess of Malfi
Playbill for Webster's tragedy "The Duchess of Malfi," directed by Grein and re-arranged for the modern stage by Poel. The playbill lists the acts, the actors, the various people working behind the scenes, and also includes a small description of...
Playbill for Jonson's pastoral play, "The Sad shepherd," a tale of Robin Hood. The playbill contains a brief synopsis of the play, the names of the actors and characters, as well as a section written by Dowden.
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Poel, William, 1852-1934; Elizabethan Stage Society; Shakespeare, William, 1564-1616. Two gentlemen of Verona
Playbill for Shakespeare's play, "The Two Gentlemen of Verona." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the costumes, the music and the pronounciation.
Playbill for Shakespeare's play, "Twelfth Night," to be performed in St. George's hall. The playbill includes the names of the actors and musicians, information about The Elizabethan stage Society, as well as some information about aspects of the...
Playbill for Shakespeare's play, "Comedy of errors." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the division of acts, costumes, and a note on the Queen's Prayer....
Playbill for Beaumont and Fletcher's comedy, "The Coxcomb." The playbill includes the names of the actors as well as some information about aspects of the performance such as the authorship, the revival, the music, and the costumes.
Theatre program of William Shakespeare's "Twelfth Night," directed by William Poel and performed in the Middle Temple hall, where Twelfth Night was first performed in 1601. It contains the names of the cast, information about the play's costumes...
Program for Ben Jonson's "The Alchemist," directed by William Poel and presented by the Elizabethan Stage Society at the Imperial Theatre attached to the Royal Aquarium. The program contains the names of the 1902 cast and the casts from earlier...
Barry writes to Sowdon saying that he's settled everything with the managers of DruryLane and that Sowdon should come to town immediately. Barry asks Sowdon to prepare the part of the Bastard in King Lear and also mentions he should take the Bark.
Barry writes to Sowdon expressing his concern for Sowdon's health and then goes on to say how he's more inclinded to play at Covent Garden than at Drury Lane for reasons he will tell Sowdon in person.
Jesus Christ Iconography; Mercers' Company (London, England); Stone carving
Pages appear to be torn from a book. The article discusses the archeological find of an early Renaissance figure of Christ in Mercers' Chapel in London and speculates about its historical significance.
Barry writes to Sowdon in Dublin to inform him that he cannot accept his offer to leave London for the Ireland theatre, as Sowdon cannot equal his current income. He writes to clear up any misunderstanding on his or Mr. Victor's part about the...
Barry writes to Sowdon in London of his satisfaction that Spranger Barry will at last come to the Irish theatre, in light of the previous misunderstandings on that point.
Barry writes from London in favor of Sowdon's proposed renovations to the Crow Street Theatre in Dublin and to make more explicit his permission to let Sowdown use the theatre. Barry was a financial backer of the theatre until 1767.
Barry writes impassionedly of his efforts to raise funds for the Crow Street Theatre in Dublin and encloses the 200 pounds he has raised so far. The second and third pages of the letter are blank.
Barry, Spranger, 1719-1777; Letters; Woffington, Margaret, d. 1760
Barry writes from London to express his confidence and personal support for Sowdon's plan for a Dublin theatre to rival Sheridan's. He suggests raising funds through subscription and mentions several actresses who may be interested in joining the...
