Winter writes from Staten Island mourning Henry Irving's death. He includes a personal tribute to Irving he wrote for the New York Tribune. [This letter is a possible response to original letter in William Winter folder, American Theater box 28,...
Joanna Baillie, author and playwright, writes Henry Siddons, son of Sarah Siddons, in response to Siddons answer to her 1815 February 6 letter, sending "Glees" she believes appropriate for her play, "The Beacon." Page 4 is a self-cover with a...
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Poel, William, 1852-1934; Elizabethan Stage Society; Shakespeare, William, 1564-1616. Two gentlemen of Verona
Playbill for Shakespeare's play, "The Two Gentlemen of Verona." The playbill includes the names of the actors and musicians as well as some information about aspects of the performance such as the costumes, the music and the pronounciation.
Theatre program of William Shakespeare's "Twelfth Night," directed by William Poel and performed in the Middle Temple hall, where Twelfth Night was first performed in 1601. It contains the names of the cast, information about the play's costumes...
Program for Ben Jonson's "The Alchemist," directed by William Poel and presented by the Elizabethan Stage Society at the Imperial Theatre attached to the Royal Aquarium. The program contains the names of the 1902 cast and the casts from earlier...
Jesus Christ Iconography; Mercers' Company (London, England); Stone carving
Pages appear to be torn from a book. The article discusses the archeological find of an early Renaissance figure of Christ in Mercers' Chapel in London and speculates about its historical significance.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Brooke, Tucker, 1883-1946; Letters
Lawrence writes to Archer about C.T. Tucker Brook's review of his two books and then goes on to talk about a french treatise for a doctorate he is reading.
Booth, Edwin, 1833-1893; Irving, Henry, Sir, 1838-1905; Letters; Lyceum Theatre (New York, N.Y.)
Edwin Booth writes of his visit to the invalid Sallie and his recent successful theatrical engagement at the Walnut. He hopes to act at the Lyceum Theatre in New York soon with Henry Irving. Written from Baltimore on Mount Vernon Hotel stationery.
Booth writes from the home of the Players at 16 Gramercy Place in reply to Boughton's letter and discusses mutual friends: the declining health of the artist Launt Thompson, the recent death of painter Jervis McEntee, and actor Thomas Doggett's...
University of Oxford; Recitations; Combe, Cecilia, 1794-1868; Letters
Sarah Siddons writes Elizabeth Simon (Vernon), Lady Harcourt, discussing arrangements for readings at Oxford and asking advice for lodging. Siddons mentions her daughter, Cecilia. The pages are torn.
Joanna Baillie, author and playwright, writes from Hampstead to Henry Siddons, son of Sarah Siddons, regarding the production of her play "The Beacon" at the Edinburgh theatre, the choice of "glees" for it, and an affectionate message to Sarah...
A letter possibly written by Priscilla Kemble on behalf of her husband, John Philip Kemble, to Mr. Jennings, requesting for "Mr. Jones" to endorse a payable note of Mr. Stephen Kemble. The letter is written in third person. The pages are torn. ...
Kemble, John Philip, 1757-1823; Health; Letters; Watermarks; Sealing-wax; Seals (Closures)
J. P. Kemble writes Alexander Murray saying he has a bad cold and is unable to leave his house. Kemble asks Murray to visit him that day. The letter is stained and contains remnants of a seal. The letter contains watermarks. Page 4 is a...
Kean, Charles John, 1811?-1868; Plays; Authorship; Letters
Charles Kean writes an unnamed author thanking him for the offer of a play, but says that the Easter program has already been arranged. The letter contains notations by a second hand.
Kean writes to a Murray to arrange a theatre box for him after his recent illness. Kean says: "I have been so long a slave to the profession that seeing a play, in which I am not an actor, is a source of novelty & delight."
Biography; Costumes and clothes; Death; Engraving; Kean, Edmund, 1787-1833; Letters; Portraits; Shakespeare, William, 1564-1616. King Richard III; Watermarks
Edmund Kean writes in the third person to a Mr. Sims to tell him that he "has no objection to subscribe to the Dramatic Censors" and that Sims "is at Liberty to put his name on the list." Letter contains a handwritten notation by a second hand...
Betsy Fawcett writes a response letter to Edmund Kean, saying: "I cannot think it possible the answer I received on Thursday from the Theatre came from your own lips." Fawcett repeats her request for money as she suffers. She promises never to...
Embossing (Printing); Kean, Edmund, 1787-1833; Letters; Postmarks; Sale of business enterprises; Signatures (Writing); Theaters; Theatre Royal (Richmond upon Thames, London, England); Watermarks
In a letter to a Mr. Budd, Kean presents himself as a potential buyer of the Theatre Royal Richmond. He gives his qualifications as a person experienced in theatre and admits that as an actor he is "weary of scampering about his majesties...
