Pole writes to Reginal Pole about his play "The First Franciscans" and tells her about an agreement he has made with Percy Burton about how much she needs to pay to get the American acting rights of the play.
Archer, writing from London (England,) replies to Martin-Harvey's request for an article on Martin-Harvey's production of "Oedipus." He suggests that he ask another critic more familiar with the production and offers some critiques of it.
Lawrence, William J. (William John), 1862-1940; Copyright Royalties; Harvard University. Press
Royalty report from Harvard University Press for Lawrence's book "Pre Restoration Stage Studies." [This may be the royalty docket referred to in http://ccdl.libraries.claremont.edu/u?/phl,949.]
William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Gore, Mrs. (Catherine Grace Frances), 1799-1861; Bartley, Sarah, 1783-1850; Letters; Westminster, Robert Grosvenor, Marquis of, 1767-1845; Siddons, Sarah, 1755-1831; Noah, M. M. (Mordecai Manuel), 1785-1851
Fanny Morres Gore and her daughter Catherine write from London to Bartley in America, inquiring after her new situation and her family and commenting on the doings of mutual acquaintances. She mentions how they will soon be obliged to move due to...
Contract between Wynn Miller, Edwin Booth's manager, and R. Pateman, hiring Pateman and his wife for Edwin Booth's 1882 tour of Great Britain. The contract enumerates Mr. and Mrs. Pateman's obligations to act in the season's shows and provide...
Booth, Edwin, 1833-1893; Players (Club); Booth, Junius Brutus, 1796-1852; Booth, John Wilkes, 1838-1865; Winter, William, 1836-1917; Benedict, E. C. (Elias Cornelius), 1834-1920
Brief article published by Playbill, Incorporated containing a brief biography of the actor Edwin Booth and the history and customs of the Players Club at 16 Gramercy Place, which he founded. The publication also contains advertisements for...
Andrew Combe, M.D., a physiologist and phrenologist, writes Mrs. Henry Siddons, daughter-in-law of Mrs. Sarah Siddons, introducing a shipboard surgeon and speaks of his brother's winning argument with a clergyman. Page 4 is a self-cover.
Kemble, Charles, 1775-1854; Payne, John Howard, 1791-1852; Tickets; Letters
Charles Kemble writes American actor and playwright, John Howard Payne, saying that he is sending him an admission to a private box and says he is hoping to "look in upon him." Page 4 is a self-cover with a seal. The page 4 scan was rotated 90...
Irving writes from Paris to thank Claritie for his recent article about Henry Irving and request two tickets to Comedie-Francaise for himself and an American friend.
Winter writes from Staten Island mourning Henry Irving's death. He includes a personal tribute to Irving he wrote for the New York Tribune. [This letter is a possible response to original letter in William Winter folder, American Theater box 28,...
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence thanks Archer for sending him the cards of introduction and writing to Brander Matthews. He wonders what Matthews would say if he told him A. H. Bullen's opinion that Lawrence could easily be a professor at an American...
Lawrence, William J. (William John), 1862-1940; Letters
Writing from Dublin, Lawrence congratulates Starkey on his "recent honor" and looks forward to his visit the next day. He also inquires about La Tourette Stockwell's new book about the Dublin theatres.
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence discusses the controversy currently surrounding the definition of "the nocturnal," a specialized type of comedic play popular from 1597 to 1601. He lists his objections to Ernest Law's article describing traditional...
