Winter writes from Staten Island mourning Henry Irving's death. He includes a personal tribute to Irving he wrote for the New York Tribune. [This letter is a possible response to original letter in William Winter folder, American Theater box 28,...
Poel writes in response to his correspondent's last letter and asks him not to use his name, Poel, on the professional stage as it can be of little use to him. He requests that the correspondent discuss any plans for opening a school in America...
Poel, William, 1852-1934; Independent Theatre Society; Grein, J. T. (James Thomas), 1862-1935; New Shakspere Society (Great Britain); Webster, John, 1580?-1625? Duchess of Malfi
Playbill for Webster's tragedy "The Duchess of Malfi," directed by Grein and re-arranged for the modern stage by Poel. The playbill lists the acts, the actors, the various people working behind the scenes, and also includes a small description of...
Sowdon writes to Coates in Dublin to make clear that he has resigned his share in the bond and lease for the "Music Hall" which he signed jointly with Spranger Barry. He asks Coates to apply to Barry to release him from the bond and lease...
Barry writes in distress that he never received the letter mentioned in Sowdon's note and implores Sowdon to meet with him as soon as possible. The second and third pages of the letter are blank, and one corner of the third and fourth pages is torn.
Catherine Clive writes to a woman to enquire as to the state of Mrs. Eva Maria Garrick after the death of her husband David Garrick. Clive sends her sympathy to Mrs. Garrick and tells the letter recipient how she found out about Mr. Garrick's...
Irving, writing from Romford, England, lists his reasons for leaving Thacker & Co., explains why he entered the acting profession, and describes his first roles. The letter cross-written on one page: page 5 is written horizontally across page 1.
Pinero, Arthur Wing, Sir, 1855-1934; Irving, Laurence, 1871-1914; Letters
Writing from London, Irving expresses gratitude for Pinero's praise. [This letter is a possible response to original letter in Pinero box 15, folder 43.]
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924; Santry, James Barry, Baron, 1603-1672
Writing from Dublin, Lawrence discusses the financial arrangement with Archer concerning his manuscript and examines whether Baron James Barry of Santry was the author of the play "Ram Alley."
William Poel writes from London to his nephew Reginald Pole, giving him the right of first refusal of the leading role of the "Francis play" when it is acted in America and the opportunity to buy cheaply the American acting rights of the play from...
Poel critiques John Barrymore's performance as Hamlet for his nephew Reginald Pole, who had acted alongside Barrymore in Hamlet. He praises how "he talked his part" but criticizes his lack of emotion and overuse of ""the Macready pause."" A...
Poel's written extracts of private letters received in praise of his play, "The First Franciscans," about the life of Sir Francis. There is also a review clipped from the Manchester Guardian. [These extracts may be the enclosures referred to in...
Playbill for Jonson's pastoral play, "The Sad shepherd," a tale of Robin Hood. The playbill contains a brief synopsis of the play, the names of the actors and characters, as well as a section written by Dowden.
Playbill for Shakespeare's play, "The merchant of Venice," being performed at St. George's Hall, London. The playbill contains the names of the actors and characters, two reviews, as well as part of a paper on the play's dramatic treatment on...
Jesus Christ Iconography; Mercers' Company (London, England); Stone carving
Pages appear to be torn from a book. The article discusses the archeological find of an early Renaissance figure of Christ in Mercers' Chapel in London and speculates about its historical significance.
Barry writes to Sowdon in London of his satisfaction that Spranger Barry will at last come to the Irish theatre, in light of the previous misunderstandings on that point.
Bartley writes about the performance of "Ina," a play written by Lady Dacre, which featured Edmund Kean and was well attended but ultimately unsuccessful. He refers to a letter his wife received from her...
