Charles Kemble writes Mr. Hooper, a manager outside London, England, recommending a young actress. The letter contains an embossing and notations by a second hand.
Kemble, Marie Thérèse, 1774-1838; Acting; Plays; Theatre Royal, Norwich; Letters
Marie Thérèse Kemble, wife of Charles Kemble, writes to John Smith of Norwich Theatre, discussing arrangements for her performances and housing. She submits a list of plays and farces for his choosing. The page 4 scan was rotated 90 degrees...
Kemble, John Philip, 1757-1823; Theaters; Stage props; Rent; Letters
J. P. Kemble writes an unnamed correspondent discussing rentals, stage needs, and the intention not to re-let the theatre. The unnamed correspondent may be Mr. Currie. Page 4 is a self-cover.
A collection of engravings and clippings of Charles Macklin in various acting roles. Page 2 contains two clippings that overlay an engraving. Page 3 contains a clipping that overlays a clipping with information about the performance of "The Man...
Kean, Charles John, 1811?-1868; Lauder, Thomas Dick, Sir, 1784-1848; Invitation; Scheduling; Letters; Embossing (Printing)
Charles Kean writes Sir Thomas from Glasgow accepting an invitation to visit him. Sir Thomas probably refers to Sir Thomas Lauder. The letter contains an embossing and is torn. The letter is also discolored.
Bartley, George, 1782-1858; Kean, Charles John, 1811?-1868; Acting; Performances; Letters
George Bartley writes Kean congratulating him for his performance of Leontes. Kean probably refers to Charles Kean. The letter contains notations by a second hand.
Kean, Charles John, 1811?-1868; Siddons, Sarah, 1755-1831; Kemble, John Philip, 1757-1823; Macready, William Charles, 1793-1873; Theater; Letters; Watermarks
Charles Kean writes Mr. Donne discussing his admiration for Mrs. Siddons and John P. Kemble, his dislike for Macready, his belief in the value of the Royal Theatricals, his own role as a pioneer in the theatre, and his plans for the future. Mrs....
In a letter from Liverpool, Manifold confirms that Charles Kean will not be able to continue his theatre performances for an extended amount of time because of a heart illness. Letter contains a cut-off watermark. Watermark is printed as: "Joyn"...
Embossing (Printing); Kean, Charles John, 1811?-1868; Kean, Ellen, 1805-1880; Letters; Shakespeare, William, 1564-1616. Hamlet; Shakespeare, William, 1564-1616. King Lear; Shakespeare, William, 1564-1616. Macbeth; Shakespeare, William, 1564-1616....
Kean writes to an unknown recipient to plan the dates for his performances at the letter recipient's theatre. Kean lists family members and two actors who will be in attendance. He ends with a list of suggested plays to be performed which include...
Diseases; Embossing (Printing); Kean, Ellen, 1805-1880; Kean, Charles John, 1811?-1868; Letters; Performances; Retirement; Shakespeare, William, 1564-1616. King Henry VIII; Signatures (Writing); Watermarks
Ellen Kean writes to Fanny Rose about her personal life. She describes her illness and how it affected her stage work. She also gives a short account of her husband, Charles Kean, and a recent theatre performance. She contemplates retirement and...
Kean writes a letter to the Drury Lane Committee to decline the role of Joseph Surface in the play The School for Scandal. Kean, whose strength was drama, rejected the role because it was comedic. The Committee, which included Lord Byron, requested...
Garrick writes an amiable letter to Moody on the subject of a turtle given as a gift. In a postscript, Garrick states that he has found a theatre part for which Moody would be well suited. Garrick refers to the character of Major O' Flaherty in the...
Irving, writing from Romford, England, lists his reasons for leaving Thacker & Co., explains why he entered the acting profession, and describes his first roles. The letter cross-written on one page: page 5 is written horizontally across page 1.
Archer, William, 1856-1924; Lawrence, William J. (William John), 1862-1940; Letters; Theaters
Lawrence writes to Archer and gives him a summary of the details concerning various Elizabethan Theatres. Lawrence talks of the reasoning behind his corrections and omitions and gives examples.
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924; Garrick, David, 1717-1779; Woffington, Margaret, d. 1760
Writing from Dublin, Lawrence discusses the early careers of 18th-century aristocratic actor David Garrick and actress Peg Woffington in response to "Mr. Lucas'....query" and mentions a newspaper article enclosed for Archer. The letter is typed.
Lawrence, William J. (William John), 1862-1940; Letters; Archer, William, 1856-1924
Writing from Dublin, Lawrence tells Archer that he is under the impression that Archer already paid him his share for the work on the Oxford book. He talks about glancing over Mr. Simpsons work and finding it very informative. He also mentions that...