Hopi art; Kokopelli (Pueblo deity); Cornstalks; Paintings; Native American flute
Two Kokopelli figures stand on either side of corn stalks and on a patterned border. The background of the painting is covered in symbols. At the top center of the piece is a recessed, painted area.
Los Angeles County (Calif.); Landscapes; Street signs; Photographs
In the foreground of a grainy photograph stands a sign reading "Los Angeles County Line, County Line." In the background stand rows of indistinct trees, and the middle ground is is filled by an arid landscape.
Antarctica; South Pole; Photography of polar regions; Observatory domes; Doorways; Ice; Snow
Connie Samaras’ Dome Exit is a photograph of an exit to the Buckminster Fuller geodesic dome. Taken from the inside of the abandoned structure, Samaras’ captures Antarctica’s frigid climate from the interior of the dome that had harboured...
Antarctica; South Pole; Photography of polar regions; Landscapes; Horizon; Snow
Documented while Connie Samaras was in the South Pole on the behalf of the Antarctica Artists and Writers Program, Day/Night Divide, Polar Plateau (2005) depicts a portion of the Antarctic Plateau (referred to colloquially as the “Polar...
A small flying saucer floats in the center of a field of blue polka dot pattern. Centrally beneath the image the word "pastoral" is spelled out in Courier script lowercase letters.
Art, Modern-21st century; Installations (Art)-United States-Exhibitions; Collage-Exhibitions; Advertising and consumer psychology; Consumption (economics) in art; Commercial products in art; Women; Men; Fashion and art; Sports and art
A collage panel taken from a portion of the site-specific installation, Babel: The Chaos of Melancholy which opened July 16, 2009 at the Pitzer College Art Galleries. The collage consists of advertisement pages taken from commercial magazines.
