Hopi art; Kokopelli (Pueblo deity); Cornstalks; Paintings; Native American flute
Two Kokopelli figures stand on either side of corn stalks and on a patterned border. The background of the painting is covered in symbols. At the top center of the piece is a recessed, painted area.
Triptych depicting, from left to right, a worm's eye view of people walking on beams of wood against a purple sunset or sunrise, a woman carrying a basket on her head in front of a building and large satellite dish, and a statue of the Hindu deity...
Los Angeles County (Calif.); Landscapes; Street signs; Photographs
In the foreground of a grainy photograph stands a sign reading "Los Angeles County Line, County Line." In the background stand rows of indistinct trees, and the middle ground is is filled by an arid landscape.
Art, Modern-21st century; Installations (Art)-United States-Exhibitions; Collage-Exhibitions; Advertising and consumer psychology; Consumption (economics) in art; Commercial products in art; Women; Men; Fashion and art; Sports and art
A collage panel taken from a portion of the site-specific installation, Babel: The Chaos of Melancholy which opened July 16, 2009 at the Pitzer College Art Galleries. The collage consists of advertisement pages taken from commercial magazines.
Antarctica; South Pole; Photography of polar regions; Observatory domes; Doorways; Ice; Snow
Connie Samaras’ Dome Exit is a photograph of an exit to the Buckminster Fuller geodesic dome. Taken from the inside of the abandoned structure, Samaras’ captures Antarctica’s frigid climate from the interior of the dome that had harboured...
