Indians of North America-Great Plains; Oglala dance; Oglala Indians; Dance costume; Horses in art; Bow and arrow
This painting, done in ledger style, depicts four figures on horseback, in a ceremonial context. Inscribed on recto: An Indian Horse Dance.
Inscribed on verso: Equestrian Dance Drawn by Kills Two, an Oglala Sioux.
This painting depicts a bird and rainbow in a style similar to that seen on San Ildefonso pottery. The artist, Romando Vigil, is also known as Tse-Ye-Mu. On recto: Tse-Ye-Mu, no. 23. On verso: Romando Vigil.
Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts several men and women involved in shucking and sorting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. On verso: no. 33c color/ no. 5 in series.
Crazy Horse, ca. 1842-1877; Custer, George A. (George Armstrong), 1839-1876; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons
This painting, done in ledger style, depicts a battle between Crazy Horse and General George Custer. Inscribed on recto: General Custer --- Crazy Horse.
Inscribed on verso: General Custer Confronts Crazy Horse. The white man with saber, the Indian...
Ceremonial objects; Corn; Hopi art; Hopi Indians; Hopi Indians-Rites and ceremonies; Indians of North America-Arizona; Kachinas; Kachinas in art; Pueblo Indians
This painting depicts a kachina figure holding a bundle of corn. On verso: I (2) Author of life mark, the Life Giver.
Pueblo Indians in art; Ceremonial objects; Corn; Drum; Indians of North America-New Mexico; Pueblo men; Pueblo women; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, shows a man playing a drum while two women grind corn. Written on recto of the original: Pan Yo Pin, Tesuque. Written on verso of the original: no. 33c color/ no.6 in series.
Bow and arrow; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
This painting, done in ledger style, depicts a battle between two men. A man on horseback attacks another man with a saber. Inscribed on verso: Mounted Sioux with saber, attacks a Pawnee, who has discharged an arrow. Drawn by Kills Two.
Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
This painting, done in ledger style, depicts a struggle between two men on horseback. The figure on the right wields a sword. On verso: Sioux warrior with saber, attacking a Crow Indian. After the [Battle of] Little Big Horn, the Sioux possessed...
Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Featherwork; Horses in art
This painting, done in ledger style, depicts two men on horseback, doing battle with enemies who appear to be pursuing them. On verso is inscribed: Red Walker, a Sioux warrior, is bested by pursuing Crows. Red Walker’s leg is broken and his pony...
Corn; Cornstalks; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two figures (likely both men) reaping corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin. On verso: no. 33f/ no. 4 in series for color, halftone, or etching.
Pueblo Indians in art; Corn; Cornstalks; Indians of North America-New Mexico; Pueblo men; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men tending a corn field. Written on recto of the original: Tomas [sic] Vigil, Pan Yo Pin.
Written on verso of the original: no. 33g/ no.3 in series for color,...
Cattle; Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men (one ploughing, one sowing), accompanied by two oxen. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
On verso: Illegible text; no. 33a/ no. 1 in series...
Corn; Crows; Indians of North America-New Mexico; Pueblo Indians; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo pin, depicts two men in a cornfield. One is hoeing, and the other is fixing a scarecrow. Several crows fly above them. On recto is inscribed: Pan Yo Pin, Tomas [sic] Vigil.
On verso:...
Pueblo Indians in art; Cradleboards; Pueblo women; Pueblo children; Indian baskets; Cloaks; Tesuque women; Indians of North America-New Mexico; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two women and a child in a domestic scene. Written on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
Written on verso: Women camping while men work in fields (in...
Cloaks; Hairstyles; Hopi art; Hopi Indians; Hopi women; Indian textile fabrics-North America; Indians of North America-Arizona; Pueblo Indians in art; Pueblo women; Indian silverwork
This painting depicts a Hopi woman with an elaborate hairstyle and jewelry, wearing a white cloak. On verso Univ. of Nebs. and illegible words.
