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You've searched: Pueblo and Plains Indian Watercolors

  • All fields: men
(16 results)



Display: 20

    • Two men in a corn field

    • Pueblo Indians in art; Corn; Cornstalks; Indians of North America-New Mexico; Pueblo men; Tesuque men; Pueblo Indians-Agriculture
    • This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men tending a corn field. Written on recto of the original: Tomas [sic] Vigil, Pan Yo Pin. Written on verso of the original: no. 33g/ no.3 in series for color,...
    • Sioux warrior with saber, attacking a Crow Indian

    • Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
    • This painting, done in ledger style, depicts a struggle between two men on horseback. The figure on the right wields a sword. On verso: Sioux warrior with saber, attacking a Crow Indian. After the [Battle of] Little Big Horn, the Sioux possessed...
    • Two men, one hoeing, one with scarecrow

    • Corn; Crows; Indians of North America-New Mexico; Pueblo Indians; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
    • This painting by the artist Thomas Vigil, also known as Pan Yo pin, depicts two men in a cornfield. One is hoeing, and the other is fixing a scarecrow. Several crows fly above them. On recto is inscribed: Pan Yo Pin, Tomas [sic] Vigil. On verso:...
    • Two men ploughing and sowing with two oxen

    • Cattle; Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
    • This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men (one ploughing, one sowing), accompanied by two oxen. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. On verso: Illegible text; no. 33a/ no. 1 in series...
    • Red Walker bested by pursuing Crows

    • Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Featherwork; Horses in art
    • This painting, done in ledger style, depicts two men on horseback, with enemies apparently in pursuit. On verso is inscribed: Red Walker, a Sioux warrior, is bested by pursuing Crows. Red Walker’s leg is broken and his pony is wounded. Drawn by...
    • Harvesting corn

    • Corn; Cornstalks; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
    • This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two figures (likely both men) harvesting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin. On verso: no. 33f/ no. 4 in series for color, halftone, or etching.
    • Shucking and sorting corn

    • Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
    • This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts several men and women shucking and sorting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. On verso: no. 33c color/ no. 5 in series.
    • Mounted Sioux with saber attacks a Pawnee

    • Bow and arrow; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
    • This painting, done in ledger style, depicts a battle between two men. A man on horseback attacks another man with a saber. Inscribed on verso: Mounted Sioux with saber, attacks a Pawnee, who has discharged an arrow. Drawn by Kills Two.
    • Man with drum and two women grinding corn

    • Pueblo Indians in art; Ceremonial objects; Corn; Drum; Indians of North America-New Mexico; Pueblo men; Pueblo women; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
    • This painting by the artist Thomas Vigil, also known as Pan Yo Pin, shows a man playing a drum while two women grind corn. Written on recto of the original: Pan Yo Pin, Tesuque. Written on verso of the original: no. 33c color/ no.6 in series.
    • General Custer confronts Crazy Horse

    • Crazy Horse, ca. 1842-1877; Custer, George A. (George Armstrong), 1839-1876; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons
    • This painting, done in ledger style, depicts a battle between Crazy Horse and General George Custer. Inscribed on recto: General Custer --- Crazy Horse. Inscribed on verso: General Custer Confronts Crazy Horse. The white man with saber, the Indian...
    • Man on horseback

    • Horses in art; Indians of North America-New Mexico; Pueblo Indians in art; Pueblo men; Weapons
    • This painting depicts a man in traditional regalia, holding a spear, on horseback. On recto: Julian Martinez, no. 21.
    • Hunting buffalo

    • American bison; Bow and arrow; Hunting-North America; Indians of North America-Great Plains; Oglala Indians; Plains men; Horses in art
    • This painting, done in ledger style, shows a man riding bareback in the process of slaying a buffalo with a bow and arrow. On verso: Illegible marks.
    • Crow Indian and Sioux

    • Indians of North America-Great Plains; Oglala Indians; Plains men; Weapons; Indians-Warfare; Bow and arrow; Featherwork; Horses in art
    • This painting, done in ledger style, depicts a battle between Crow and Sioux warriors. The figure on the left appears to be Crow. The figure on the right appears to be a representation of Tasunkakokipapi, also called Afraid-of-His-Horse, a 19th...
    • Two women with a child

    • Pueblo Indians in art; Cradleboards; Pueblo women; Pueblo children; Indian baskets; Cloaks; Tesuque women; Indians of North America-New Mexico; Pueblo Indians-Agriculture
    • This painting by artist Thomas (Tomas) Vigil, also known as Pan Yo Pin or Summer Mountain, depicts two women and a child in a domestic scene. Written on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. Written on verso: Women camping while men work...
    • Pawnee and Sioux in battle

    • Bow and arrow; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
    • This painting, done in ledger style, depicts two warriors in battle. The figure on the left has fallen from his horse, and both horse and rider are wounded. The figure on the right appears to be a representation of Zintka Mato. On recto: Pawnee...
    • Cochiti Corn Dance

    • Corn; Ceremonial objects; Indian textile fabrics-North America; Indians of North America-New Mexico; Pueblo Indians in art; Pueblo women; Pueblo men; Pueblo Indians-Religion; Pueblo Indians-Agriculture
    • This painting depicts a man and woman in ceremonial regalia adorned with evergreen cuttings. The man has a rattle; the woman wears a tablita headdress. On recto: (Cochiti Corn Dance) (Tonita Peña) no. 19.

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