Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts several men and women involved in shucking and sorting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. On verso: no. 33c color/ no. 5 in series.
Corn; Cornstalks; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two figures (likely both men) reaping corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin. On verso: no. 33f/ no. 4 in series for color, halftone, or etching.
Cattle; Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men (one ploughing, one sowing), accompanied by two oxen. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
On verso: Illegible text; no. 33a/ no. 1 in series...
Corn; Crows; Indians of North America-New Mexico; Pueblo Indians; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo pin, depicts two men in a cornfield. One is hoeing, and the other is fixing a scarecrow. Several crows fly above them. On recto is inscribed: Pan Yo Pin, Tomas [sic] Vigil.
On verso:...
Pueblo Indians in art; Corn; Cornstalks; Indians of North America-New Mexico; Pueblo men; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men tending a corn field. Written on recto of the original: Tomas [sic] Vigil, Pan Yo Pin.
Written on verso of the original: no. 33g/ no.3 in series for color,...
Pueblo Indians in art; Cradleboards; Pueblo women; Pueblo children; Indian baskets; Cloaks; Tesuque women; Indians of North America-New Mexico; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two women and a child in a domestic scene. Written on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
Written on verso: Women camping while men work in fields (in...
Pueblo Indians in art; Ceremonial objects; Corn; Drum; Indians of North America-New Mexico; Pueblo men; Pueblo women; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, shows a man playing a drum while two women grind corn. Written on recto of the original: Pan Yo Pin, Tesuque. Written on verso of the original: no. 33c color/ no.6 in series.
This painting depicts a bird and rainbow in a style similar to that seen on San Ildefonso pottery. The artist, Romando Vigil, is also known as Tse-Ye-Mu. On recto: Tse-Ye-Mu, no. 23. On verso: Romando Vigil.
Cloaks; Hairstyles; Hopi art; Hopi Indians; Hopi women; Indian textile fabrics-North America; Indians of North America-Arizona; Pueblo Indians in art; Pueblo women; Indian silverwork
This painting depicts a Hopi woman with an elaborate hairstyle and jewelry, wearing a white cloak. On verso Univ. of Nebs. and illegible words.
Ceremonial objects; Corn; Hopi art; Hopi Indians; Hopi Indians-Rites and ceremonies; Indians of North America-Arizona; Kachinas; Kachinas in art; Pueblo Indians
This painting depicts a kachina figure holding a bundle of corn. On verso: I (2) Author of life mark, the Life Giver.
Corn; Ceremonial objects; Indian textile fabrics-North America; Indians of North America-New Mexico; Pueblo Indians in art; Pueblo women; Pueblo men; Pueblo Indians-Religion; Pueblo Indians-Agriculture
This painting depicts a man and woman in ceremonial dress adorned with evergreen cuttings. The man has a rattle; the woman wears a tablita headdress. On recto: (Cochiti Corn Dance) (Tonita Peña) no. 19.
Ceremonial objects; Dance costume; Hopi art; Hopi dance; Hopi Indians; Hopi Indians-Rites and ceremonies; Indian textile fabrics-North America; Indians of North America-Arizona; Pueblo Indians; Pueblo Indians in art; Featherwork
This painting depicts four figures in ceremonial costume; two are dancing.
This painting depicts two dancers in ceremonial costume. Inscribed on recto: Drawing by San Juanito Garcia, Santo Domingo, no. 24.
No published reference to this artist has been located. The name could refer to either Jose Garcia (Santo Domingo,...
Crazy Horse, ca. 1842-1877; Custer, George A. (George Armstrong), 1839-1876; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons
This painting, done in ledger style, depicts a battle between Crazy Horse and General George Custer. Inscribed on recto: General Custer --- Crazy Horse.
Inscribed on verso: General Custer Confronts Crazy Horse. The white man with saber, the Indian...
Indians of North America-Great Plains; Oglala Indians; Plains men; Weapons; Indians-Warfare; Bow and arrow; Featherwork; Horses in art
This painting, done in ledger style, depicts a battle between Crow and Sioux warriors. The figure on the left appears to be Crow. The figure on the right appears to be a representation of Tasunkakokipapi, also called Afraid-of-His-Horse, a 19th...
Bow and arrow; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
This painting, done in ledger style, depicts a battle between two men. A man on horseback attacks another man with a saber. Inscribed on verso: Mounted Sioux with saber, attacks a Pawnee, who has discharged an arrow. Drawn by Kills Two.
