Indians of North America-Great Plains; Oglala dance; Oglala Indians; Dance costume; Horses in art; Bow and arrow
This painting, done in ledger style, depicts four figures on horseback, in a ceremonial context. Inscribed on recto: An Indian Horse Dance.
Inscribed on verso: Equestrian Dance Drawn by Kills Two, an Oglala Sioux.
Crazy Horse, ca. 1842-1877; Custer, George A. (George Armstrong), 1839-1876; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons
This painting, done in ledger style, depicts a battle between Crazy Horse and General George Custer. Inscribed on recto: General Custer --- Crazy Horse.
Inscribed on verso: General Custer Confronts Crazy Horse. The white man with saber, the Indian...
Corn; Cornstalks; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two figures (likely both men) reaping corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin. On verso: no. 33f/ no. 4 in series for color, halftone, or etching.
Corn; Crows; Indians of North America-New Mexico; Pueblo Indians; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo pin, depicts two men in a cornfield. One is hoeing, and the other is fixing a scarecrow. Several crows fly above them. On recto is inscribed: Pan Yo Pin, Tomas [sic] Vigil.
On verso:...
Cattle; Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men (one ploughing, one sowing), accompanied by two oxen. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
On verso: Illegible text; no. 33a/ no. 1 in series...
Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts several men and women involved in shucking and sorting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. On verso: no. 33c color/ no. 5 in series.
Indians of North America-Great Plains; Oglala Indians; Plains men; Weapons; Indians-Warfare; Bow and arrow; Featherwork; Horses in art
This painting, done in ledger style, depicts a battle between Crow and Sioux warriors. The figure on the left appears to be Crow. The figure on the right appears to be a representation of Tasunkakokipapi, also called Afraid-of-His-Horse, a 19th...
Bow and arrow; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
This painting, done in ledger style, depicts a battle between two men. A man on horseback attacks another man with a saber. Inscribed on verso: Mounted Sioux with saber, attacks a Pawnee, who has discharged an arrow. Drawn by Kills Two.
This painting depicts two dancers in ceremonial costume. Inscribed on recto: Drawing by San Juanito Garcia, Santo Domingo, no. 24.
No published reference to this artist has been located. The name could refer to either Jose Garcia (Santo Domingo,...
Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Featherwork; Horses in art
This painting, done in ledger style, depicts two men on horseback, doing battle with enemies who appear to be pursuing them. On verso is inscribed: Red Walker, a Sioux warrior, is bested by pursuing Crows. Red Walker’s leg is broken and his pony...
