Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
This painting, done in ledger style, depicts a struggle between two men on horseback. The figure on the right wields a sword. On verso: Sioux warrior with saber, attacking a Crow Indian. After the [Battle of] Little Big Horn, the Sioux possessed...
Indians of North America-Great Plains; Oglala Indians; Plains men; Weapons; Indians-Warfare; Bow and arrow; Featherwork; Horses in art
This painting, done in ledger style, depicts a battle between Crow and Sioux warriors. The figure on the left appears to be Crow. The figure on the right appears to be a representation of Tasunkakokipapi, also called Afraid-of-His-Horse, a 19th...
Indians of North America-Great Plains; Oglala dance; Oglala Indians; Dance costume; Horses in art; Bow and arrow
This painting, done in ledger style, depicts four stylized figures wearing buffalo headdresses on horseback. Inscribed on recto: An Indian Horse Dance.
Inscribed on verso: Equestrian Dance Drawn by Kills Two, an Oglala Sioux.
Cloaks; Hairstyles; Hopi art; Hopi Indians; Hopi women; Indian textile fabrics-North America; Indians of North America-Arizona; Pueblo Indians in art; Pueblo women; Indian silverwork
This painting depicts a Hopi woman with traditional hairstyle and jewelry, wearing a white cloak. On verso "Univ. of Nebs."
Ceremonial objects; Dance costume; Hopi art; Hopi dance; Hopi Indians; Hopi Indians-Rites and ceremonies; Indian textile fabrics-North America; Indians of North America-Arizona; Pueblo Indians; Pueblo Indians in art; Featherwork
This painting depicts four figures in traditional regalia, taking part in the Buffalo Dance.
Pueblo Indians in art; Cradleboards; Pueblo women; Pueblo children; Indian baskets; Cloaks; Tesuque women; Indians of North America-New Mexico; Pueblo Indians-Agriculture
This painting by artist Thomas (Tomas) Vigil, also known as Pan Yo Pin or Summer Mountain, depicts two women and a child in a domestic scene. Written on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
Written on verso: Women camping while men work...
Corn; Ceremonial objects; Indian textile fabrics-North America; Indians of North America-New Mexico; Pueblo Indians in art; Pueblo women; Pueblo men; Pueblo Indians-Religion; Pueblo Indians-Agriculture
This painting depicts a man and woman in ceremonial regalia adorned with evergreen cuttings. The man has a rattle; the woman wears a tablita headdress. On recto: (Cochiti Corn Dance) (Tonita Peña) no. 19.
Crazy Horse, ca. 1842-1877; Custer, George A. (George Armstrong), 1839-1876; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons
This painting, done in ledger style, depicts a battle between Crazy Horse and General George Custer. Inscribed on recto: General Custer --- Crazy Horse.
Inscribed on verso: General Custer Confronts Crazy Horse. The white man with saber, the Indian...
Corn; Cornstalks; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two figures (likely both men) harvesting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin. On verso: no. 33f/ no. 4 in series for color, halftone, or etching.
This painting depicts a roadrunner and rainbow in a style similar to that seen on San Ildefonso pottery. The artist, Romando Vigil, is also known as Tse-Ye-Mu. On recto: Tse-Ye-Mu, no. 23. On verso: Romando Vigil.
Corn; Crows; Indians of North America-New Mexico; Pueblo Indians; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo pin, depicts two men in a cornfield. One is hoeing, and the other is fixing a scarecrow. Several crows fly above them. On recto is inscribed: Pan Yo Pin, Tomas [sic] Vigil.
On verso:...
Cattle; Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men (one ploughing, one sowing), accompanied by two oxen. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque.
On verso: Illegible text; no. 33a/ no. 1 in series...
Corn; Indians of North America-New Mexico; Pueblo Indians in art; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts several men and women shucking and sorting corn. Inscribed on recto: Tomas [sic] Vigil, Pan Yo Pin, Tesuque. On verso: no. 33c color/ no. 5 in series.
Ceremonial objects; Corn; Hopi art; Hopi Indians; Hopi Indians-Rites and ceremonies; Indians of North America-Arizona; Kachinas; Kachinas in art; Pueblo Indians
This painting depicts the Hemis kachina figure holding a bundle of corn. On verso: I (2) Author of life mark, the Life Giver.
Bow and arrow; Horses in art; Indians of North America-Great Plains; Indians-Warfare; Oglala Indians; Plains men; Weapons; Shields; Featherwork
This painting, done in ledger style, depicts a battle between two men. A man on horseback attacks another man with a saber. Inscribed on verso: Mounted Sioux with saber, attacks a Pawnee, who has discharged an arrow. Drawn by Kills Two.
Pueblo Indians in art; Ceremonial objects; Corn; Drum; Indians of North America-New Mexico; Pueblo men; Pueblo women; Tesuque men; Tesuque women; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, shows a man playing a drum while two women grind corn. Written on recto of the original: Pan Yo Pin, Tesuque. Written on verso of the original: no. 33c color/ no.6 in series.
Pueblo Indians in art; Corn; Cornstalks; Indians of North America-New Mexico; Pueblo men; Tesuque men; Pueblo Indians-Agriculture
This painting by the artist Thomas Vigil, also known as Pan Yo Pin, depicts two men tending a corn field. Written on recto of the original: Tomas [sic] Vigil, Pan Yo Pin.
Written on verso of the original: no. 33g/ no.3 in series for color,...
This painting depicts two dancers in ceremonial regalia, representing eagles. Inscribed on recto: Drawing by San Juanito Garcia, Santo Domingo, no. 24.
No published reference to this artist has been located. The name could refer to either Jose...
