Coptic language - Papyri; Egypt - Antiquities; Coptic manuscripts (Papyri); Nag Hammadi codices; Texts;
Back side of fragments from the paper mache inside the covers of Nag Hammadi codex 8 that have been numbered and conserved between panes of plexiglas. This set of fragments is labeled, "Cart VIII 4 - Cartonnage - Coptic Museum 10550."
Meier, C. A. (Carl Alfred), 1903-; Portraits; Gospel of truth; Nag Hammadi codices. I; Manuscript studies
C. A. Meier, Director of the Jung Institute in Zurich, looking at the incipit of the Gospel of Truth, the Jung Codex (Nag Hammadi Codex I), papyrus page 16 with Nag Hammadi Codex I, papyrus page 15 visible on the other side.
Meier, C. A. (Carl Alfred), 1903-; Labib, Pahor; Robinson, James McConkey, 1924-; Portraits, Group; Matḥaf al-Qiḅtī (Cairo, Egypt); Page, George H.
C.A. Meier, Director Emeritus of the Jung Institute; James Robinson; George H. Page, American patron of the Jung Institute who funded the acquisition of the Jung Codex; and Pahor Labib in front of the Coptic Museum.
Texts; Nag Hammadi codices; Hedrick, Charles W.; Magnifying glasses; Coptic manuscripts (Papyri); Coptic language - Papyri; MacRae, George W.
Charles Hedrick and George MacRae are at a table working with the Nag Hammadi codices. Stacks of plexiglas plates encasing codex fragments are seen on the table.
Codex I (the Jung Codex) cartonnage referring to Diospolis Parva and Chenoboskia: dios, line 1, and Dio;~ povl(ew~) peri; Chnob(ovskia), line 4. There is a reference to a guild "chairman (proestwv~) from the same village (kwvnh)," line 7.
Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. I
Codex I (the Jung Codex) with the cartonnage in the inside of the front cover. The papyrus reused to stiffen the cover mentions Chenoboskeia. Photograph was taken by Jean Doresse in the home of Maria Dattari.
Coptic manuscripts (Papyri); Manuscript studies; Gospel of Thomas (Coptic Gospel); Nag Hammadi codices. II
Codex II, opened at page 50-51 (the conclusion and subscript title of the "Gospel of Thomas"). The hand is that of Marianne Doresse. Photo was taken by Jean Doresse in the home of Maria Dattari.
Coptic manuscripts (Papyri); Manuscript studies; Nag Hammadi codices. IV
Codex IV, opened with page 49 on the left, and, on the right, page 37 at the top and left, and page 41 at the right. Photograph was taken by Jean Doresse at the home of Maria Dattari.
Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. V
Codex V opened at pages 64-65, showing Codex XIII, 50 protruding from the left at the bottom. Photograph taken by Jean Doresse in the home of Maria Dattari.
Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. VI
Codex VI, opened at the centre of the quire, pages 38-39, showing Codex XIII, 46 protruding along the left side, and, on the left at the bottom, XIII, 44, The hand is that of Marianne Doresse. The chicken feather was used by Doresse to indicate the...
