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You've searched: Nag Hammadi Archive

  • All fields: CODEX
(860 results)



Display: 20

    • Albert Eid

    • Portraits; Eid, Albert
    • Albert Eid was a Belgian antiquities dealer of Cairo. He took Codex I (the Jung Codex) from Egypt to New York and then to Belgium.
    • Scholars at work in the Coptic Museum

    • Portraits, Group; Texts; Emmel, Stephen; Robinson, James McConkey, 1924-; Robinson, Anita Weisbrod; Scholars; Nag Hammadi codices; Coptic manuscripts (Papyri); Coptic language - Papyri; Matḥaf al-Qiḅtī (Cairo, Egypt)
    • Anita Robinson, Stephen Emmel, James Robinson, and an unknown man look at a Nag Hammadi codex in plexiglass.
    • Nag Hammadi codex fragments

    • Coptic language - Papyri; Egypt - Antiquities; Coptic manuscripts (Papyri); Nag Hammadi codices; Texts;
    • Back side of fragments from the paper mache inside the covers of Nag Hammadi codex 8 that have been numbered and conserved between panes of plexiglas. This set of fragments is labeled, "Cart VIII 4 - Cartonnage - Coptic Museum 10550."
    • C. A. (Carl Alfred) Meier

    • Meier, C. A. (Carl Alfred), 1903-; Portraits; Gospel of truth; Nag Hammadi codices. I; Manuscript studies
    • C. A. Meier, Director of the Jung Institute in Zurich, looking at the incipit of the Gospel of Truth, the Jung Codex (Nag Hammadi Codex I), papyrus page 16 with Nag Hammadi Codex I, papyrus page 15 visible on the other side.
    • Charles Hedrick at work in the Coptic Museum

    • Texts; Hedrick, Charles W.; Scholars; Files (Records); Nag Hammadi codices; Matḥaf al-Qiḅtī (Cairo, Egypt); Coptic manuscripts (Papyri); Coptic language - Papyri
    • Charles Hedrick looks at Nag Hammadi codex fragments encased in plexiglas laid out on a long table.
    • Charles Hedrick at work in the Coptic Museum

    • Hedrick, Charles W.; Texts; Files (Records); Scholars; Electric lamps; Nag Hammadi codices; Matḥaf al-Qiḅtī (Cairo, Egypt); Coptic manuscripts (Papyri); Coptic language - Papyri
    • Charles Hedrick looks at Nag Hammadi codex texts encased in plexiglas laid out on a long table.
    • Codex I cartonnage

    • Coptic manuscripts (Papyri); Qaṣr (Egypt); Nag Hammadi codices. I; Hīw (Egypt)
    • Codex I (the Jung Codex) cartonnage referring to Diospolis Parva and Chenoboskia: dios, line 1, and Dio;~ povl(ew~) peri; Chnob(ovskia), line 4. There is a reference to a guild "chairman (proestwv~) from the same village (kwvnh)," line 7.
    • Codex I, cartonnage inside of front cover

    • Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. I
    • Codex I (the Jung Codex) with the cartonnage in the inside of the front cover. The papyrus reused to stiffen the cover mentions Chenoboskeia. Photograph was taken by Jean Doresse in the home of Maria Dattari.
    • Codex II, opened at pages 50-51

    • Coptic manuscripts (Papyri); Manuscript studies; Gospel of Thomas (Coptic Gospel); Nag Hammadi codices. II
    • Codex II, opened at page 50-51 (the conclusion and subscript title of the "Gospel of Thomas"). The hand is that of Marianne Doresse. Photo was taken by Jean Doresse in the home of Maria Dattari.
    • Codex IV, open

    • Coptic manuscripts (Papyri); Manuscript studies; Nag Hammadi codices. IV
    • Codex IV, opened with page 49 on the left, and, on the right, page 37 at the top and left, and page 41 at the right. Photograph was taken by Jean Doresse at the home of Maria Dattari.
    • Codex V, opened at page 64-65

    • Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. V
    • Codex V opened at pages 64-65, showing Codex XIII, 50 protruding from the left at the bottom. Photograph taken by Jean Doresse in the home of Maria Dattari.
    • Codex VI, opened at the center of the quire

    • Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. VI
    • Codex VI, opened at the centre of the quire, pages 38-39, showing Codex XIII, 46 protruding along the left side, and, on the left at the bottom, XIII, 44, The hand is that of Marianne Doresse. The chicken feather was used by Doresse to indicate the...
    • Codex VII, inside front cover

    • Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. VII
    • Codex VII, inside the front cover, showing the verso of the front flyleaf and page 1. Photograph taken by Jean Doresse in the home of Maria Dattari.
    • Codex VIII, pages 132-133

    • Coptic manuscripts (Papyri); Manuscript studies; Case bindings (gathered matter components); Nag Hammadi codices. VIII
    • Codex VIII, pages 132 and 133. Photograph taken by Jean Doresse in the home of Maria Dattari.

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