Art Exhibitions; Photography; Drawing; Found objects (Art); Sculpture; Busts
Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
Art Exhibitions; Photography; Found objects (Art); Sculpture; Busts
Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Two trees straddle a dirt road in this piece entitled "Two men were found on a tree." Using archival records, Gonzales-Day went...
Exhibition catalog published in conjuction with the "Project Series 30: Ken Gonzales-Day Hang Trees."
Contents:
Nightfall (2006) 60 x 75 inches chromogenic print
Anthony (2006) 60 x 45 inches chromogenic print
With none but the omnipresent stars to...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Art Exhibitions; Photography; Lynching; Steve Turner Gallery
"Two men were found on a tree" (at left), and "Into eternity" (far right), as shown in installation shot of "Past Over" exhibition at Steve Turner Contemporary in Los Angeles.
Lynching; Art Exhibitions; Postcards; Photography; Trees; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Photographs include (right to left), "Two men were found on a tree," "With none but the omni-present stars to witness," "Next to...
