Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Ceramics in interior decoration; Government buildings; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Jails; Morgues; Photographs; Buildings; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Photograph of a jail/morgue in Ballarat, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann...
Installation shot of ImageMediaPolitique exhibition at DIX 291 gallery, Paris. The lynch victims have been removed in this conceptually driven photographic series which sought to raise awareness of the history of lynching in California and...
Installation shot of ImageMediaPolitique exhibition at DIX 291 gallery, Paris. The lynch victims have been removed in this conceptually driven photographic series which sought to raise awareness of the history of lynching in California and...
Installation shot of Crimes of Omission exhibition at Institute of Contemporary Art (ICA), University of Pennsylvania. The lynch victims have been removed in this conceptually driven photographic series which sought to raise awareness of the...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
Art Exhibitions; Photography; Busts; Sculpture; Getty Research Institute
Photograph includes four works from "Profiled" series at Getty Research Institute, Scholar Common Room. In this conceptually driven photographic project, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of...
Lynching; Art Exhibitions; Postcards; Photography; Austrian Cultural Forum New York
Installation shot from Austrian Cultural Forum in New York. The lynch victims have been removed in this conceptually driven photographic series which sought to raise awareness of the history of lynching in California and vigilantism in the West....
Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Large photographic print of Oceano Sand Dunes in Newport Beach, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
