Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
In this image, not included in the final series, the model posed beneath the same tree as Nightfall, and Nightfall II. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
Lynching; Photography; Trees; Getty Research Institute; Art Exhibitions; Tables; Chairs
"Nightfall II," as installed at Getty Research Institute, Scholar Common Room. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others...
Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
Exhibition catalog published in conjuction with the "Project Series 30: Ken Gonzales-Day Hang Trees."
Contents:
Nightfall (2006) 60 x 75 inches chromogenic print
Anthony (2006) 60 x 45 inches chromogenic print
With none but the omnipresent stars to...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Photographs include (left to right), "Now he swings from a tree, two doors down from where I write," "At daylight the miserable...
