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You've searched: Ken Gonzales-Day Collection

  • All fields: Man
(27 results)



Display: 20

    • CUE Art Foundation catalogue

    • Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
    • The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
    • The William Benton Museum of Art brochure

    • William Benton Museum of Art; Gonzales-Day, Ken
    • Multi-panel pamphlet of exhibitions at The William Benton Museum of Art Contents: Genealogies, Miscegenations, Missed Generations (January 5 - March 5, 2000) Features Ken Gonzales-Day's digital photography series, Bone Grass Boy: The Secret Banks...
    • Blackfoot Man and Faun Holding a Goat

    • Art Exhibitions; Photography; Sculpture
    • Photograph of untitled piece in "Profiled" series. Piece includes "Blackfoot Man" and Jacques-Francois-Joseph Saly's "Faun Holding a Goat." In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points...
    • Untitled no. 33

    • Rope in art; Human beings in art; Violence
    • A man kneels on the ground near the bound feet of a man lying down. Scene from fictitious frontier novel, "The Bone-Grass Boy: The Secret Banks of the Conejos River."
    • Untitled no. 35

    • Hats; Men; Blood; Violence; Swords
    • A man holds a blade to a bleeding man in a scene from fictitious frontier novel, The Bone-Grass Boy: The Secret Banks of the Conejos River.
    • October 2008 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • Anthony, 2006

    • Human beings in art; Body art; Tattooed people
    • A shirtless man has tattoos on his chest, stomach, and arms. Originally exhibited as part of the "Hang Trees" exhibition held at the Pomona College Museum of Art, Claremont, CA. in 2006.
    • Hang Trees

    • Real photo postcards; Lynching; Gonzales-Day, Ken
    • Exhibition catalog published in conjuction with the "Project Series 30: Ken Gonzales-Day Hang Trees." Contents: Nightfall (2006) 60 x 75 inches chromogenic print Anthony (2006) 60 x 45 inches chromogenic print With none but the omnipresent stars to...
    • Man on rock

    • Trees; Leaves; Rocks; Human beings; Sneakers
    • In this image, not included in the final series, the model posed beneath the same tree as Nightfall, and Nightfall II. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
    • Untitled no. 6

    • Costumes and clothes; Art and architecture
    • A person lies atop drapes and pillows. A man wearing a polka dot bodysuit and wings leans toward the person. A butte and columns stand behind them. Scene from fictitious frontier novel, "The Bone-Grass Boy: The Secret Banks of the Conejos River."
    • Memento Mori

    • Portraits; Photography; Chairs; Lynching; Art Exhibitions
    • Portrait of a young man standing as a lone figure against a dark background, addressing the viewer. Piece is entitled "Memento Mori."
    • Taken from county jail, 1863

    • Crowds; Horses; Buildings; Los Angeles (Calif.); Executions and executioners
    • In 1863, a mob of approximately 200 men broke into the county jail in Los Angeles, and grabbed Boston Daimwood (or Damewood) and his 3 cohorts, along with a young man named Wood, who was being held for stealing chickens. All 5 were lynched. In...
    • Belleville

    • Trees; Landscapes
    • Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
    • UCSD left side wall

    • Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
    • Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Pieces include (left to right), "Golden Chain," "Run Up," "Old Oregon Trail," "Now he swings from a tree, two doors down from...

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