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You've searched: Ken Gonzales-Day Collection

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(234 results)



Display: 20

    • October 2008 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • July 2012 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • CUE Art Foundation catalogue

    • Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
    • The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
    • Hang Trees

    • Real photo postcards; Lynching; Gonzales-Day, Ken
    • Exhibition catalog published in conjuction with the "Project Series 30: Ken Gonzales-Day Hang Trees." Contents: Nightfall (2006) 60 x 75 inches chromogenic print Anthony (2006) 60 x 45 inches chromogenic print With none but the omnipresent stars to...
    • The William Benton Museum of Art brochure

    • William Benton Museum of Art; Gonzales-Day, Ken
    • Multi-panel pamphlet of exhibitions at The William Benton Museum of Art Contents: Genealogies, Miscegenations, Missed Generations (January 5 - March 5, 2000) Features Ken Gonzales-Day's digital photography series, Bone Grass Boy: The Secret Banks...
    • Line Study side

    • Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
    • Line Study front

    • Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
    • Line Study #6

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of Oceano Sand Dunes in Newport Beach, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic...
    • Of Difference

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Contours of Foreheads

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Jail-Morgue (1898)

    • Jails; Morgues; Photographs; Buildings; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Photograph of a jail/morgue in Ballarat, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann...
    • Line Study #4

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
    • Line Study #3

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
    • Umbragraphic Landscape #1

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Photograph of "Umbragraphic Landscape #1," as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. Piece is a representation of Death Valley sand dunes drawn in forehead contours. In this...
    • Erased Lynching Series angle

    • Lynching; Art Exhibitions; Postcards; Photography
    • Installation shot of Ken Gonzales-Day solo exhibition at SPACE Gallery in Portland, Maine. Photograph includes (left to right), "Erased Lynching Series" "Old Oregon Trail" and "Golden Chain." The lynch victims have been removed in this conceptually...
    • Erased Lynching Series front

    • Lynching; Art Exhibitions; Postcards; Photography
    • Photograph of "Erased Lynching Series" at Ken Gonzales-Day solo exhibition at SPACE Gallery in Portland, Maine. The lynch victims have been removed in this conceptually driven photographic series which sought to raise awareness of the history of...
    • Golden Chain SPACE

    • Lynching; Art Exhibitions; Photography; Trees
    • Installation shot of Ken Gonzales-Day solo exhibition at SPACE Gallery in Portland, Maine. Photograph includes (left to right), "Old Oregon Trail" "Golden Chain" and "Two door down from where I write." Using archival records, Gonzales-Day went...

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