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You've searched: Ken Gonzales-Day Collection

  • All fields: Gonzales-Day
(234 results)



Display: 20

    • July 2012 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • Line Study side

    • Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
    • Line Study front

    • Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
    • Line Study #6

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of Oceano Sand Dunes in Newport Beach, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic...
    • Of Difference

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Contours of Foreheads

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Jail-Morgue (1898)

    • Jails; Morgues; Photographs; Buildings; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Photograph of a jail/morgue in Ballarat, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann...
    • Line Study #4

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
    • Line Study #3

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
    • Umbragraphic Landscape #1

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Photograph of "Umbragraphic Landscape #1," as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. Piece is a representation of Death Valley sand dunes drawn in forehead contours. In this...
    • Golden Chain SPACE

    • Lynching; Art Exhibitions; Photography; Trees
    • Installation shot of Ken Gonzales-Day solo exhibition at SPACE Gallery in Portland, Maine. Photograph includes (left to right), "Old Oregon Trail" "Golden Chain" and "Two door down from where I write." Using archival records, Gonzales-Day went...
    • SPACE side

    • Lynching; Art Exhibitions; Photography; Trees
    • Installation shot of Ken Gonzales-Day solo exhibition at SPACE Gallery in Portland, Maine. Photograph includes (left to right), "With none but the omni-present stars to witness" "Oak with bird" and "Run up." Using archival records, Gonzales-Day...
    • Two men were found on a tree

    • Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
    • Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Two trees straddle a dirt road in this piece entitled "Two men were found on a tree." Using archival records, Gonzales-Day went...
    • Nightfall II UCSD

    • Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
    • Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
    • Wonder Gaze corner

    • Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
    • Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
    • Next to the tracks

    • Lynching; Art Exhibitions; Postcards; Photography; Trees; University of California, San Diego. University Art Gallery
    • Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
    • UCSD installation

    • Lynching; Art Exhibitions; Trees; Photography; University of California, San Diego. University Art Gallery
    • Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the...
    • Nightfall II billboard

    • Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
    • Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
    • Label wall

    • Lynching; Photography; Trees; Getty Research Institute; Art Exhibitions; Lettering
    • Label wall for installation at Getty Research Institute, Scholar Common Room. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were...

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