Art Exhibitions; Photography; Busts; Sculpture; Getty Research Institute
Photograph includes four works from "Profiled" series at Getty Research Institute, Scholar Common Room. In this conceptually driven photographic project, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of...
Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Large photographic print of Oceano Sand Dunes in Newport Beach, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
Istallation shot for solo exhibition "Physiognomy and the Love of Mankind" at Steve Turner Contemporary. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel Adams and "Group...
Lynching; Art Exhibitions; Photography; Portraits; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Portrait is of a young man standing as a lone figure against a dark background, addressing the viewer. Piece is entitled...
Lynching; Art Exhibitions; Postcards; Photography; Los Angeles County Museum of Art
Installation shot of "Phantom Sightings" exhibit at Los Angeles County Museum of Art (LACMA). Photograph includes, (left to right), "Erased Lynching Series," and a photographic negative image of "The Wonder Gaze (Saint James Park)." The lynch...
Lynching; Art Exhibitions; Postcards; Photography; Los Angeles County Museum of Art
Installation shot of "Phantom Sightings" exhibit at Los Angeles County Museum of Art (LACMA). Photograph includes, (left to right), "The Wonder Gaze (Saint James Park)," and "Erased Lynching Series." The lynch victims have been removed in this...
Photograph includes untitled piece depicting two busts facing each other in profile at Las Cienegas Projects in Los Angeles. In "Profiled," Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from...
Art Exhibitions; Photography; Drawing; Self-portraits; Physiognomy
Photograph depicts installation of untitled print at Las Cienegas Projects in Los Angeles. Piece shows a drawing of the artist's head in an elaborate cephalometer, a device for measuring the dimensions of the human head. In this collection,...
Art Exhibitions; Photography; Drawing; Found objects (Art); Sculpture; Busts
Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
Art Exhibitions; Photography; Busts; Sculpture; Drawing; Self-portraits; Physiognomy
Istallation shot of "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the impact of...
Photograph of untitled piece in "Profiled" series. Piece includes "Blackfoot Man" and Jacques-Francois-Joseph Saly's "Faun Holding a Goat." In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points...
Photograph includes Pierre-Jean David d'Angers' "Bust of Ann Buchan Robinson," Joseph Nollkens' "Venus," Malvina Hoffman's "Japanese Woman" and "Eskimo Woman." In this collection, Gonzales-Day looks to the depiction of race and the construction of...
Art Exhibitions; Photography; Found objects (Art); Sculpture; Busts
Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
Art exhibitions; Photography; Sculpture; Nude in art; Graffiti; Art - Mutilation, defacement, etc.
Photograph shows three statues from the posterior which have been variously defaced. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the impact of...
