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You've searched: Ken Gonzales-Day Collection

  • All fields: Art Exhibitions
(60 results)



Display: 20

    • Busts in profile

    • Art Exhibitions; Photography; Busts; Sculpture
    • Photograph includes untitled piece depicting two busts facing each other in profile at Las Cienegas Projects in Los Angeles. In "Profiled," Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from...
    • Las Cienegas center

    • Art Exhibitions; Photography; Busts; Sculpture; Drawing; Self-portraits; Physiognomy
    • Istallation shot of "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the impact of...
    • Works from Profiled series

    • Art Exhibitions; Photography; Busts; Sculpture; Getty Research Institute
    • Photograph includes four works from "Profiled" series at Getty Research Institute, Scholar Common Room. In this conceptually driven photographic project, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of...
    • Found images and sculptures

    • Art Exhibitions; Photography; Drawing; Found objects (Art); Sculpture; Busts
    • Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
    • Found images and sculptures detail

    • Art Exhibitions; Photography; Found objects (Art); Sculpture; Busts
    • Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
    • Line Study front

    • Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
    • Line Study side

    • Art Exhibitions; Photography; Landscape photography; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel...
    • Line Study #6

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of Oceano Sand Dunes in Newport Beach, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic...
    • Line Study #3

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
    • Line Study #4

    • Art Exhibitions; Photography; Landscape photography; Sand; Sand dunes; Physiognomy; Physiognomy in art; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Large photographic print of sand dunes in Death Valley, California, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of...
    • Past Over exhibition

    • Art Exhibitions; Photography; Lynching; Steve Turner Gallery
    • "Two men were found on a tree" (at left), and "Into eternity" (far right), as shown in installation shot of "Past Over" exhibition at Steve Turner Contemporary in Los Angeles.
    • Contours of Foreheads

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Of Difference

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • A Sure and Convenient Machine for Drawing Silhouettes

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for solo exhibition "Physiognomy and the Love of Mankind" at Steve Turner Contemporary. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel Adams and "Group...
    • Four sculptures

    • Art Exhibitions; Photography; Sculpture
    • Photograph includes Pierre-Jean David d'Angers' "Bust of Ann Buchan Robinson," Joseph Nollkens' "Venus," Malvina Hoffman's "Japanese Woman" and "Eskimo Woman." In this collection, Gonzales-Day looks to the depiction of race and the construction of...
    • Blackfoot Man and Faun Holding a Goat

    • Art Exhibitions; Photography; Sculpture
    • Photograph of untitled piece in "Profiled" series. Piece includes "Blackfoot Man" and Jacques-Francois-Joseph Saly's "Faun Holding a Goat." In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points...
    • Installation shot

    • California Institute of the Arts; REDCAT (Art center); Art Exhibitions; Computers; Photographs
    • An image of a dog is on the computer screen. "City in Flames" and "Zoot Suit Riot" (both 2006, both by Ken Gonzales-Day) are visible about the computer monitor and to the left of it. Prints that say, "Sing the blues in red" are stacked on a table...
    • Erased Lynching series, installation shot

    • CUE Art Foundation; Art Exhibitions; Picture frames and framing
    • Framed artwork hangs from a wall. The lynch victims were removed in this conceptually driven photographic series which sought to raise awareness of the history of lynching in California. See Lynching in the West: 1850-1935 (Duke, 2006). As...

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