Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
Multi-panel pamphlet of exhibitions at The William Benton Museum of Art
Contents:
Genealogies, Miscegenations, Missed Generations (January 5 - March 5, 2000)
Features Ken Gonzales-Day's digital photography series, Bone Grass Boy: The Secret Banks...
Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
Exhibition catalog published in conjuction with the "Project Series 30: Ken Gonzales-Day Hang Trees."
Contents:
Nightfall (2006) 60 x 75 inches chromogenic print
Anthony (2006) 60 x 45 inches chromogenic print
With none but the omnipresent stars to...
CUE Art Foundation; Art Exhibitions; Picture frames and framing
Framed artwork hangs from a wall. The lynch victims were removed in this conceptually driven photographic series which sought to raise awareness of the history of lynching in California. See Lynching in the West: 1850-1935 (Duke, 2006). As...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of the trees in this series are certain, others were taken in approximate locations that corresponded to the historical data...
Installations (Art); Human beings in art; Head; Snow
This installation was part of "SaFari: FAR (Foundation for Art Resources, Inc.) Bazzar at the old Griffith Park", Los Angeles, CA. Site-specific installation, Sept. 13 - 14.
Installations (Art); Human beings in art; Women's clothing; Dresses; Snow
This installation was part of "SaFari: FAR (Foundation for Art Resources, Inc.) Bazzar at the Old Griffith Park", Los Angeles, CA. Site-specific installation, Sept. 13 - 14.
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Ceramics in interior decoration; Government buildings; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
Lynching; Art Exhibitions; Postcards; Photography; Trees; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Photographs include (right to left), "Two men were found on a tree," "With none but the omni-present stars to witness," "Next to...
Lynching; Art Exhibitions; Postcards; Photography; Trees; University of California, San Diego. University Art Gallery
Istallation shot from solo exhibition "Silent Witness: Recent Work of Ken Gonzales-Day" at UCSD University Art Gallery. Photograph shows "Erased Lynching Series." The lynch victims have been removed in this conceptually driven photographic series...
