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You've searched: Ken Gonzales-Day Collection

  • All fields: Art
(101 results)



Display: 20

    • July 2012 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • October 2008 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • The William Benton Museum of Art brochure

    • William Benton Museum of Art; Gonzales-Day, Ken
    • Multi-panel pamphlet of exhibitions at The William Benton Museum of Art Contents: Genealogies, Miscegenations, Missed Generations (January 5 - March 5, 2000) Features Ken Gonzales-Day's digital photography series, Bone Grass Boy: The Secret Banks...
    • CUE Art Foundation catalogue

    • Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
    • The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
    • Hang Trees

    • Real photo postcards; Lynching; Gonzales-Day, Ken
    • Exhibition catalog published in conjuction with the "Project Series 30: Ken Gonzales-Day Hang Trees." Contents: Nightfall (2006) 60 x 75 inches chromogenic print Anthony (2006) 60 x 45 inches chromogenic print With none but the omnipresent stars to...
    • Erased Lynching series, installation shot

    • CUE Art Foundation; Art Exhibitions; Picture frames and framing
    • Framed artwork hangs from a wall. The lynch victims were removed in this conceptually driven photographic series which sought to raise awareness of the history of lynching in California. See Lynching in the West: 1850-1935 (Duke, 2006). As...
    • Variation #4 side

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
    • Variation #3 side

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
    • Variation #3 front

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Art Exhibitions; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
    • Sculptures back view

    • Art exhibitions; Photography; Sculpture; Nude in art; Graffiti; Art - Mutilation, defacement, etc.
    • Photograph shows three statues from the posterior which have been variously defaced. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the impact of...
    • Variation #4 front

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
    • Anthony, 2006

    • Human beings in art; Body art; Tattooed people
    • A shirtless man has tattoos on his chest, stomach, and arms. Originally exhibited as part of the "Hang Trees" exhibition held at the Pomona College Museum of Art, Claremont, CA. in 2006.
    • Variation #1

    • Trees; Public art; Murals; Ceramics; Ceramics in interior decoration; Government buildings; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
    • Variation #2

    • Trees; Public art; Murals; Ceramics; Government buildings; Parking garages; Photography
    • Photograph of permanent public art installation at Los Angeles County Administration Building, South Los Angeles. The project seeks to reintroduce the oak to the urban landscape — symbolically, if not literally. This public art project was...
    • Nightfall II billboard

    • Lynching; Trees; Art Exhibitions; Billboards; Public art; Barbed wire; Telephone lines
    • Photograph of public art installation of "Nightfall II" in Los Angeles. Image affixed to a billboard on La Cienega Boulevard. Using archival records, Gonzales-Day went searching for California's historic hang trees. While some of the locations of...
    • Installation shot

    • California Institute of the Arts; REDCAT (Art center); Art Exhibitions; Computers; Photographs
    • An image of a dog is on the computer screen. "City in Flames" and "Zoot Suit Riot" (both 2006, both by Ken Gonzales-Day) are visible about the computer monitor and to the left of it. Prints that say, "Sing the blues in red" are stacked on a table...

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