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You've searched: Ken Gonzales-Day Collection

  • All fields: Drawing
(12 results)



Display: 20

    • The William Benton Museum of Art brochure

    • William Benton Museum of Art; Gonzales-Day, Ken
    • Multi-panel pamphlet of exhibitions at The William Benton Museum of Art Contents: Genealogies, Miscegenations, Missed Generations (January 5 - March 5, 2000) Features Ken Gonzales-Day's digital photography series, Bone Grass Boy: The Secret Banks...
    • CUE Art Foundation catalogue

    • Gonzales-Day, Ken; Adorno, Theodor W., 1903-1969; Benjamin, Walter, 1892-1940; Lynching; California; Latinos in American history; Archival materials; Art Exhibitions; Photographs; CUE Art Foundation
    • The exhibition included the Erased Lynching series, the wallpaper piece, The Wonder Gaze (St. James Park), and two photographs from the Searching for California's Hang Trees series. The exhibition catalogue introduction was written by Bruce...
    • Execution of Josh the…, 1852

    • Drawing; Hanging; Lynching; California; Hats; Crowds
    • Erasure of the lynch victim intended to raise awareness of the history of lynching and other forms of summary justice in California. Josh (Joshua Robertson) was of African descent and lynched in Rich Bar, California in 1852. The original drawing...
    • October 2008 Curriculum Vitae, Ken Gonzales-Day

    • Curriculum vitae; Gonzales-Day, Ken; Education; College teaching; Art Exhibitions; Scholarships; Reviews of research; Lectures and lecturing
    • Ken Gonzales-Day's curriculum vitae listing his education, fellowships, monographs, solo exhibitions, public art projects, selected group exhibitions, public/private collections, special print projects, awards and grants, bibliography, reviews and...
    • Found images and sculptures

    • Art Exhibitions; Photography; Drawing; Found objects (Art); Sculpture; Busts
    • Installation shot of found images in "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the...
    • Las Cienegas center

    • Art Exhibitions; Photography; Busts; Sculpture; Drawing; Self-portraits; Physiognomy
    • Istallation shot of "Profiled" series at Las Cienegas Projects in Los Angeles. In this collection, Gonzales-Day looks to the depiction of race and the construction of whiteness as points of departure from which to consider the impact of...
    • Untitled no. 100

    • Skin; Mole (Dermatology)
    • Skin overlaid with the faintest of drawings. The drawing alludes to actual medical illustrations identifying the microscopic structures of the human epidermal layer.
    • Of Difference

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Contours of Foreheads

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Profiles of human foreheads drawn from photographs, as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater,...
    • Umbragraphic Landscape #1

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Frames; Drawing; Group f.64; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Photograph of "Umbragraphic Landscape #1," as shown at "Ken Gonzales-Day: Physiognomy and the Love of Mankind" at Steve Turner Contemporary in Los Angeles. Piece is a representation of Death Valley sand dunes drawn in forehead contours. In this...
    • A Sure and Convenient Machine for Drawing Silhouettes

    • Art Exhibitions; Photography; Physiognomy; Physiognomy in art; Lavater, Johann Caspar, 1741-1801; Steve Turner Gallery
    • Istallation shot for solo exhibition "Physiognomy and the Love of Mankind" at Steve Turner Contemporary. In this series Gonzales-Day explores the physiognomatic theories of Johann Lavater, as well as the nature photographs of Ansel Adams and "Group...

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